Eyvind Kang Quotes
I think the question of actually relating emotion to music is totally interesting. I believe that it is really important on some level, but it's also important not to impose your own emotions on some music that has its own emotions.
Quotes to Explore
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I love music, and can dance on the desi beats. Punjabi music is my favourite. I listen to artists like Honey Singh. I love his music. I also love watching Bollywood films.
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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And I don't believe that women can successfully have it all. I really don't.
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See, I believe that it is not true that different races and nations are alike. I'm profoundly convinced that that's a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.
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Yes, I believe the will is very important. It's how I have succeeded in life.
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Pretty much at all times music motivates me. How can I say this without sounding in any way proud of myself? Obviously I've always written songs that are critical of our government, and talk about our times. Hopefully you attempt to be timeless while doing it.
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I'm a Christian, but I don't believe in religion or anything like that.
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There's sketch, improv, writing, acting, music, and badminton. Those are the seven forms of comedy. But I do like the idea of being an auteur in the sense of writing and being in your own stuff.
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I was on a path that could've really led to disaster, and the one thing for me that really kept me focused and gave me something to believe in and a sense of self-worth and a discipline was music.
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We did a lot of fight scenes in 'Hitman: Agent 47,' so you have to learn repetitious movements to music; otherwise, it's amazingly boring. Michael Jackson was our savior.
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It is the historical necessity, if there is a historical necessity in history, that a new decade of electronic television should follow to the past decade of electronic music.
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You know, I think that allowing somebody, one mere person to believe that he or she is like, the vessel you know, like the font and the essence and the source of all divine, creative, unknowable, eternal mystery is just a smidge too much responsibility to put on one fragile, human psyche. It's like asking somebody to swallow the sun.
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Musicians are hungry for new music.
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I want to burn as a beacon of possibility. I don't want nobody to misconstrue the commercial success I've had as anything other than an example of what black music is capable of. And what it's capable of is being more than just black. I'm not black or white anymore. I'm Cee Lo Green.
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It's true as a woman, particularly: the older you get, the parts get thinner on the ground and not quite as interesting, that's for sure.
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We took a very interesting journey from being really extreme art house filmmakers. But we find that working in commercial filmmaking and creating a brand on that high level affords us a lot of interesting opportunities.
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I believe anything can happen.
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Many climate change deniers would have you believe that addressing climate change is all pain and no gain. This is simply not true. We can tackle this challenge while improving our personal health and the health of our economy. These are not competing interests; they go hand in hand.
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Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people.
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I can't play an instrument to save my life. But when I'm creating, and when I'm making music, I feel like I'm the head of the orchestra, and I'm just waving my wand, and something is created.
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I couldn't sing to save myself. Greg went to John after the audition and said, 'She's cute, but she can't sing very well' and he said, 'I know. We'll teach her. I just want her on the show'.
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Cinema is about people, and we are a very emotional people. That is why you see those ups and those downs and those colours. That is what Indian cinema is about.
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Guessing what the pitcher is going to throw is 80% of being a successful hitter. The other 20% is just execution.
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I think the question of actually relating emotion to music is totally interesting. I believe that it is really important on some level, but it's also important not to impose your own emotions on some music that has its own emotions.
