Paolo Bacigalupi Quotes
I don't know why we choose to reach out to help another person, or why we decide that we can't, and withdraw and try to care only for ourselves, but I'm fascinated by that choice.
Quotes to Explore
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I live alone, so I don't really talk to anyone once I'm home. I have some silent nights.
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I think what human beings need is to be able to laugh at the absurd, hold on to ambiguity, and learn to love nuance, instead of making everything one or the other, and structurally, so much of the Internet and online publishing doesn't have room for any of that.
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Really, I have to laugh because there was a whole set of stories that made me sound like the Dragon Lady, you know, 'tough this and tough that.' Then there is this business about 'gooey.' The bottom line is I am a pragmatic idealist.
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Detroit is saying that the hydrogen vehicle is the vehicle of the future. But it's 15 years from now.
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The British Museum was our first real museum, the property of the public rather than the monarch or the church.
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In 15 years we'll have all the sequence, a list of the genes everyone has in common and those that differ among people. We know only something like a tenth of 1 percent of the sequence at the moment.
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I just love the hours of the theatre, I love the way it operates. I always say that when you're doing a play it's like getting a shot of B12, and when you do television for a long series you need a shot of B12.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.
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I can't hear music. I don't understand it. It's so above and beyond me.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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'Yield' was completed in 1997 and released in 1998. In the spring of 1997, I had made a decision to stop taking medications that I had been taking daily since 1988.
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I have no problem being mainstream. I grew up in the '90s when the mainstream was amazing.
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When you look at where the Democratic field is going relative to foreign policy, they are increasingly moving away from a policy of pre-emptive self-defense that the president has adopted since September 11.
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I'll come and make love to you at five o'clock. If I'm late start without me.
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I've been grateful that 'Time's' reach and mandate is so broad; anything you're interested in, you can usually write about.
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I'm the kind of person who'll have a few drinks and fall asleep at 11.
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I'll never get married again, and I always hate to say never to anything, but I will never marry again.
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There's this sort of cloud that hangs where people are like: 'How long can you keep the heat of 'Homeland' going?' People have short memories is the truth, and Hollywood loves the new and shiny.
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I don't think you can be successful in television without appealing to women. I don't think it's possible. I think that men like women. It doesn't really matter what they do - they love anything. But women don't necessarily like every woman, so I think that's a challenge to get the female audience to not only relate to you but also like you.
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When you're trying to accomplish lofty goals, and when you're attacking something of great magnitude, you have to have help.
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The whole reason Pinterest exists is to help people discover the things that they love and then go take action on them, and a lot of the things they take action on are tied to commercial intent.
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My other Main Man is Muhamed Ali, for the obvious reasons.
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I don't know why we choose to reach out to help another person, or why we decide that we can't, and withdraw and try to care only for ourselves, but I'm fascinated by that choice.
