Gary Myers Quotes
Quotes to Explore
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'Press Your Luck' was probably the most exciting because of the unpredictability of the game and how I won on one of the three days on the very last spin against all odds. It was one of those great unpredictable game show moments.
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But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything.
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I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.
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Thank you to the children whose innocent words encouraged me.
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It wasn't really until the 10th or 11th grade when I started to play well, and football took the place of baseball, which was my love when I was five years old. I don't know what happened; baseball just got boring to me, I guess.
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I'm just basically a workaholic.
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I'm hard of hearing. I miss a lot. It's really tough.
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Have common sense and stick to the point.
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For me, writing is a love – hate relationship.
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I'm not a big one for lots of genitals flapping in the films.
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I knew trucking was growing. It grew from the Second World War to the time that I bought the bridge. There were interstate highways being built. I thought there was opportunity.
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I'm constantly having to be vigilant with a depressive tendency, an addictive tendency.
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Beloved friends and comrades... the national Libertarian Party is dead.
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One learns how to change gears within a concert repertoire.
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Pouring concrete on land you don't own is called a calculated risk, if you don't pour you loose millions.
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When you produce an album, you're dealing with it theatrically. It has to have a structure, and the inner response to that is that the ear loves it.
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I don't chase what I hear on the radio. I try not to compete with anybody.
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I read what I like to write: romantic suspense. I also love thrillers and novels of suspense, but I can't handle extreme violence and torture.
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We exist for ourselves, perhaps, and at times we even have a glimmer of who we are, but in the end we can never be sure, and as our lives go on, we become more and more opaque to ourselves, more and more aware of our own incoherence. No one can cross the boundary into another – for the simple reason that no one can gain access to himself.
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Our Father in heaven, Reveal who you are. Set the world right; Do what's best - As above, so below. Keep us alive with three square meals. Keep us forgiven with you and forgiving others. Keep us safe from ourselves and the Devil. You're in charge!
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I feel like I am a lot of who I am because I watched these shows that said it was okay to be a total weirdo. Shows like 'Pete and Pete,' 'Hey, Dude,' 'Salute Your Shorts' - that's what I grew up with.
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I always have one or two, sometimes more, Navajo or other tribes' cultural elements in mind when I start a plot. In Thief of Time, I wanted to make readers aware of Navajo attitude toward the dead, respect for burial sites.
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Finally, as you walk the difficult path with others - as you lean into their strength - stay focused on forward motion. Learn from the past, yes, especially if there are choices you could have made differently - that's Wisdom 101. But you must also embrace the present and realize that you can't change the past. You must move forward with courage, not rushing things, but not staying fixated on whatever trauma has occurred.
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We want to make sure horses and riders are safe amongst the public.
