Dan Mazer Quotes
It's tough to make funny films. And the truth is, with this process, especially if you write your own movie, then you're giving three years of your life to it. And so, I just have to be sure that when I embark on it that I'm happy to think that in three years' time I'm going to be sitting in a room on the tenth floor of an odd office building at Ginsberg Libby talking about it. So I'm keen not to jump into it too quickly and just make sure it's something that I really want.
Quotes to Explore
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We have a problem. 'Congratulations.' But it's a tough problem. 'Then double congratulations.'
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Natural or artificial stimulation of nerves gives rise to a process of progressive excitation in them, leading to a response in the effector organ of the nerves concerned.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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Stage and film are just two wildly different animals. Why compare the two?
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There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout the filming.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Film has played such a big part in my life, in my impressions of the United States.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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If you have injuries, it's tough.
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Any time you're dealing with an ankle, you've got to run, you've got to cut, you've got to do all those things. It makes it tough.
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I make sure that whatever film I do, I enjoy my role.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I want to make it to Heaven and be as good an influence on others as I can in that process.
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The main problem that we have in Lebanon, and in the region, is we don't have a real peace process and I think this is the main focal problem that we have in the region.
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It's a pretty brutal process, having a baby.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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The status quo is leaving the building, and quickly.
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I don't think crack happened by accident. I'm part conspiracy theorist, because you can't develop something that dangerous and have it not be planned.
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It's disgusting. Why would people idolize someone who doesn’t do anything and saying you're a model/photographer with a digital camera and photoshop does not count as an artist.
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It's tough to make funny films. And the truth is, with this process, especially if you write your own movie, then you're giving three years of your life to it. And so, I just have to be sure that when I embark on it that I'm happy to think that in three years' time I'm going to be sitting in a room on the tenth floor of an odd office building at Ginsberg Libby talking about it. So I'm keen not to jump into it too quickly and just make sure it's something that I really want.
