Madeleine Albright Quotes
Quotes to Explore
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First, how do we give everyone a fair shot at opportunity and security in this new economy? Second, how do we make technology work for us, and not against us - especially when it comes to solving urgent challenges like climate change? Third, how do we keep America safe and lead the world without becoming its policeman?
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My mother protected me from the world and my father threatened me with it.
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I think fashion is actually very good training for being in the tech world, because it's all about moving on to the next thing, looking for the next thing, not getting stuck in the past.
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The difference between what we do and what we are capable of doing would suffice to solve most of the world's problems.
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In the United States we have the great Harvard Business School, but America is the country with the greatest debt in the world.
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My autobiography is a digressive illustration and exemplification of what race has meant in the world in the 19th and 20th centuries.
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When I first met Mandela, we did not discuss anything of substance; we just felt each other out. He spent a long time expressing his admiration for the Boer generals and how ingenious they were during the Anglo-Boer war.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
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I don't really read 'business books,' and I didn't think 'The Paradox of Choice' was a business book. I'm very surprised and gratified that the business world thought it was one.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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A writer's job is to give the reader a larger vision of the world.
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I'm the best in the world; thank you, Jesus, for that.
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One of the things that's really, really present in 'Between the World and Me' is, I am in some ways outside of the African-American tradition.
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People really do not have time to read all the newspapers in the world and all the sites that we now commonly use on the web. There is no possibility of keeping up.
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Forget it, Louis, no Civil War picture ever made a nickel.
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I was very shy, but when I performed, I felt like I was in my own little world. I became more confident. Dancing taught me discipline and to feel comfortable in my own skin.
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Every day, you get up, and the world is changing; your customers are expecting more from you. Your competitors are putting pressure on you by doing more and trying to beat you here and beat you there.
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I don't tend to set out on huge world domination goals or have anything in mind. I just like to play. I like to gig a lot; I like to write music.
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Any new financial order for the world must tackle the three chief challenges of our age.
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The thing I realised about composition is, we remember most composers for four bars of music. Four singable bars of music. Pretty much any major composer from Debussy to Ravel to Mozart to whoever else - you can kind of hum it.
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I enjoy worldbuilding very much. I generally start with an approximation. With 'Flesh and Spirit' and 'Breath and Bone,' because I was thinking of a world on the brink of a dark age, I began with the sense of Roman Britain. But I purposely set the geography to match something other than Britain - which has been overdone.
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You work on a play or movie, you have the whole script, so you're constructing a performance based on the bible that you have. In TV, you don't, so to actually invest in that and let that be the exciting part is terrifying and certainly leaves room for mistakes, looking back.
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I had to fight, a lot of years, to be really proud of the person I see in the mirror and really love this person.
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I was a little girl in World War II and I'm used to being freed by Americans.
