Kato Kiyomasa Quotes
If a man does not investigate into the matter of bushido daily, it will be difficult for him to die a brave and manly death.
Quotes to Explore
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Philanthropy is natural. For a mother, taking care of her children is natural. If I am rich, I take care of the poor, like a mother would.
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Life is a school of probability.
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I read about violent things. I think what I get out of that is entertainment by learning about different things, and reading the genre and getting an understanding of motivations. But at the end of the day, it's still a book, and I can walk away.
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A particularly beautiful woman is a source of terror. As a rule, a beautiful woman is a terrible disappointment.
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I met dozens of pilots and would go on dates. I had the opportunity to go up in one of the planes, but I was scared of flying.
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I believe all universities should at least offer courses in politics and policy implementation.
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I'm not really clear what the whole deal is with flags. I like my flag, but I wouldn't die for it. There's issues of identity, of course. That's going to always come in. I, for example, don't want to be called a 'North Britisher.' I want to be Scottish.
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I did a gig at a comedy club in Bournemouth where they served a buffet while the acts were on. There was the clang of people carving turkey during the set. If you put comedy and turkey side by side, turkey always wins.
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On Career Day in high school, you don't walk around looking for the cartoon guy.
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I keep everything that's private private.
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It's all about progression, not getting stuck and about having aspirations, which can lead you to do more and not just be satisfied. I was always that way about my dancing, and that's how I am about whatever it is I tend to pursue.
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To film in water is three times harder than just on land.
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Yes, I was the child who would sneak into her closet and read 'Nancy Drew' for hours after the designated 'lights out' time of night.
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We all have somebody that sits down at the Thanksgiving table and says the most outrageous things, and you're doin' the dishes with your sister, and you're like, 'Omigod, can you believe she said that?'
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I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
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There are no right answers to wrong questions.
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When you're editor-in-chief of a big magazine, you cannot be a cover girl for MAC; you cannot be the face of Givenchy - of course you can't; it's doesn't go with the job.
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When I meet people after stand-up shows, they'll bring their cars.
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Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
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You don't want somebody who doesn't know his own heart, do you? You'll find someone who's brave enough to love you. Someday. One day. Not today.
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A period of time is as much an organising principle for a work of fiction as a sense of place. You can do geography, as Faulkner did, or you can dwell on a particular period. It provides the same framework.
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If a man does not investigate into the matter of bushido daily, it will be difficult for him to die a brave and manly death.
