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With 'True Grit,' the language was very specific, as is Shakespeare. You couldn't really improvise, nor would you really ever have to. I never felt the need to. It was all so beautifully written, and it was all right there.
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There's a different energy with a female director, a female at the head of the production. I don't prefer one over the other, but they're definitely different experiences, and I would love to have more of them.
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The one thing I loved so much about making 'Pitch Perfect 2' - especially in comparison to a movie like 'Ten Thousand Saints' - is you can go and be yourself, and you just know that all your weirdness and craziness and imperfections are completely embraced and accepted.
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I don't know if it has set in or not. Honestly, it's crazy. It's such an amazing honor. I remember thinking back to being in my room waiting for the call to see if I got the part. It's like winning the lottery. I'm proud to be a member of such an amazing cast - that's the best award of all.
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My mom taught me to live by the three p's: to always be passionate, persistent, and prepared.
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When I was auditioning for 'True Grit,' I was on the Paramount lot. I was wearing clothes from the 1800s that were big and uncomfortable.
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My character in 'True Grit' would set these goals for herself that seemed near impossible, but to her they were possible. She was never going to believe anything else other than that.
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The idea of revenge coming from a 14-year-old girl isn't, you know, exactly right.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
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I went to my mum at about seven or eight and said I want to start acting, but the week before, I had said I wanted to do ballet. She said if I took acting classes for a full year, she would look further into it, and that's how it started.
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Well I was eight years old, and I have an older cousin who is three years older than me and she was doing acting, commercials, and modeling at the time and... to see my cousin doing that was really inspiring and I wanted to do it. So I went to my mom and I asked her if I could do it, and for the acting part of it, she made me study for a year.
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When 'Romeo and Juliet' came along, I fell in love with the way that it was written and how innocent and vulnerable it was and how different it was from 'True Grit.' I really liked that.
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'When Marnie Was There' was the first animated film I've ever done.
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I find that with period pieces, you're sort of able to really take advantage of what's around you because prop-wise, wardrobe-wise and location-wise, it's all so specific due to that time.
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I was just another girl.
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The rivalry between the Montague and the Capulet kids seems very modern to me. Juliet is a free spirit, full of untapped love and passion. I think a lot of girls can relate to her. And it's very relevant in terms of kids defying their parents.
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Actors play different characters in every project they do. Though it has nothing to do with my craft, the red carpet gives me the opportunity to show who I really am and be myself.
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The shooting of the guns, that was kind of funny, because rolling a cigarette and shooting a gun aren't like normal things for a 13-year old girl!
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Every girl wishes she was Juliet in some version of their life.
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Whether I'm a bit of an old soul or not, I am who I am, and that doesn't change, whether I'm with adults or with my friends.
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Child actors come off as work being their life and doing it 24/7, but I still have those days where it's totally, like, whatever: shopping, movies, adventures.
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It's hard not to love everything Prada does.
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Everything I do now is a first.
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My very first audition was on the lot of Paramount, and I was put on tape and it was very nerve-racking. I think it was about 15 pages.