Lee Ranaldo Quotes
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What Nirvana's success means is that certain radio stations now have their ear more cocked to bands like us; they're more open to playing more stuff.
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My solo shows require a sit-down, indoor space.
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We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood what we were trying to do. I don't have any regrets, because at the time we signed with Geffen, it was the right thing to do.
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Signing to a major label was an experiment for us. It was a challenge: working in a big studio with a producer was a challenge in a lot of ways. It all shaped what the band went on to become through the '90s. After we made 'Goo,' we went out and toured with Neil Young in ice hockey arenas for three months, and that was the same kind of thing.
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Every band runs its course.
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We always operated within a sense of community not just about the band. It's important to the way we define ourselves. It's the entire world in which we operate.
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One of the things I loved - or I love still - about this Occupy movement is it's got a very gentle core. I mean, it's really decidedly nonviolent in the face of all kinds of situations.
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I guess, from the beginning, Thurston and Kim were the dominant singers in the band, and although I was singing in bands previously, I guess I mainly deferred to them a lot in terms of who was singing the bulk of the songs.
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I don't mourn the old, romantic, dirty Times Square, although it was more unique.
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Being someone who plays gigs and finding many, many memorable ones in different ways, I guess I'd have to say I don't really have a single favourite one that I could pick out.
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Sonic Youth could never really get it together acoustically - quite frankly, it wasn't something we were really that interested in.
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Sonic Youth has a very democratic process for the most part. It almost doesn't matter who brings in an initial idea; everything gets worked over by the band and kind of co-written by everyone in the end because everyone's ideas get contributed to it.
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I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
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When I first moved to New York, I was friends with a lot of dancers - people from Merce Cunningham's company and things like that.
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During the whole time in Sonic Youth, I was happy to put my energy into that. It would have been very difficult to do a solo project.
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We'll go in one direction with one album, and then we like to do the opposite right away. But it's not like we ever have an idea before we start - that would be too artificial. It all starts from just sitting in a room and playing.
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Sometimes, for me, lyrics are derived from poems that I'm working on, and they kind of cross back and forth between the two.
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In the week following Sandy, we weren't flooded, but we were without everything else - I ended up living by candlelight - no phones, no computers, no light, no power. If we took a walk at night to go and find something to eat, it was completely black, with no lights coming out of the windows, no street lights: a very apocalyptic feeling.
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I always think that, for me, being someone who comes out of electric guitar experimentation, the idea of playing acoustic guitar is, in itself, kind of a radical move.
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I've been lucky enough to be in this amazing band, and to me, a band is really a collaborative unit, and that's definitely been what Sonic Youth has been.
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Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
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I came late to Sandy Denny and Fairport Convention. I don't know why, but that's the beauty of music - songs and voices are there when you need them, when you're ready to find them, whether in their time or after.
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It's not like we set out to antagonize the audience in any way. We're just presenting our music; it's really much more innocent.
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I've been sort of writing sketches for songs on my own forever and putting them down on cassette tapes. Yet for years and years and years, my main songwriting outlet was as a member of Sonic Youth, and for most of our time together, our best songs were written in a group setting, where the four of us were getting together in a room.