Gerard Way Quotes
Quotes to Explore
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I think every fight is different based on who is fighting.
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In general, I think the world is a good place if you work hard, believe in yourself, have good intentions, and if you are kind to people, I believe that good things happen to you.
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I'm doing my best to mindfully raise my son to feel safe and encouraged to express himself.
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I'm the worst person to be stuck with in a traffic jam.
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Honor sinks where commerce long prevails.
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The classic, 'Romeo and Juliet,' for me, is the iconic story of young love.
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When they talk of ghosts of the dead who wander in the night with things still undone in life, they approximate my subjective experience of this life.
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I do not want to be a long-term CEO.
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Latin music has many international influences - pop, rock, country, Brazilian sounds, and alternative styles.
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Any reaction is better than none.
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Love is a credulous thing.
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Cuba never had advisors in Vietnam. The military there knew very well how to conduct their war.
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I was a big fan of Middle Eastern elements of music and experimental electronic and tribal sounds.
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The last thing that should happen is funding cut for education; it should be increased. We need to put more money towards education, and anything else is abusive.
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Love comes in far more shapes and sizes than what the family-values crowd condones, of course.
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All my writing, I always do it in the studio, 'cause everything sounds good. The piano's there, the keyboards; if you want to put strings on something... And everything sounds good when it's in the cans; it sounds killer.
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I drive a big Dodge truck. I drive American cars.
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English, as a subject, never really got over its upstart nature. It tries to bulk itself up with hopeless jargon and specious complexity, tries to imitate subjects it can never be.
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I was born in Havana, Cuba and raised in Madrid, Spain. Then I moved to New Jersey.
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Men have commonly more pleasure in the criticism which hurts than in that which is innocuous, and are more tolerant of the severity which breaks hearts and ruins fortunes than of that which falls impotently on the grave.
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I think music needs danger; it needs risk.
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When I was 20, I thought anyone in the music business over 25 is past it. Then at 30, you think anyone still doing it at 35 is ridiculous. Suddenly, you find yourself at 48 and still doing it, so I don't know what to say, really.
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When I accepted the commission, I had something of an epiphany in the research I did about the agency, actually the science of espionage. I realized there is a connection between the sciences and the invisible forces of man.
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There's such a lack of sex in music.
