Genesis P-Orridge (Neil Andrew Megson) Quotes
Change is not a linear process; it's an all-encompassing process, and it's alive in different ways.
Quotes to Explore
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There's definitely something transformative about clothes.
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A lot of people are angry about the democratic abuses that have been committed by the Spanish government.
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I feel very close to Maryann Plunkett and Jay O. Sanders.
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The idol of today pushes the hero of yesterday out of our recollection; and will, in turn, be supplanted by his successor of tomorrow.
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Political hypocrisy and racism make me hot under the collar.
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My mother died when I was young, and I was filming all the time. I was all over the place. Acting was the one constant.
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My brothers and I always did improv stuff in our basement with our friends; we're super nerds, and that was our way of spending a Friday night.
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With Geoffrey, it was the first time we did music together, we understood that everything could be well, and without any problem. And we didn't need to rehearse too much.
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A million years went by quick.
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Just listen to all this sweet, sweet music. I'm working the music.
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Another revolution! Naples free and all of Italy in insurrection! How wonderful has been the march of the human mind in these last thirty years … so may it be till the last link of the chains of slavery is broken and the banner of freedom waves over the whole earth!
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Dogmatism as Nietzsche means it implies that one possesses the truth, or at least the most important or the most valuable truth. Yet the truth is elusive like that woman of whom he spoke at the very beginning. Elsewhere he says we are the first generation which no longer believes that it possesses the truth. That is what he means by the end of dogmatism.
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It captures a lot of the spirit of the '50s.
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The idea of the live-virus vaccine is to produce in a continuous way some viral antigens.
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Ted Geisel was trying to make a statement about awareness and personal responsibility. He was very clear about that. But the ideas and themes in 'The Lorax' go beyond a love of trees. It's also a story about the dangers of greed and the power of redemption. That's what makes it a timeless tale.
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It's fair to say that white America wouldn't have elected an African-American president without the integrating effect of black music - from Louis Armstrong to hip-hop - and black drama and fiction, commercial as much as 'serious.'
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It's better to negotiate behind closed doors than it is to be out throwing rocks at one another in the public square.
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Music commands how we feel, dictates what we experience in our feelings.
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But if we had to trade with a Europe dominated by the present German trade policies, we might have to change our methods to some totalitarian form. This is a prospect that any lover of democracy must view with consternation.
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I realize that men and women of the military go out and sacrifice their lives and put their selves in harm's way for my freedom of speech and my freedoms in this country, and my freedom to take a seat or take a knee, so I have the utmost respect for them, and I think what I did was taken out of context and spun a different way.
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'Daredevil: Season One' is kind of in-between. On the one hand, sure, it's a graphic novel. But on the other, it's beholden to existing continuity, and we're still telling the story in issue-length chapters. So it's not that different to writing a miniseries, and I've done plenty of those.
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Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations.
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Change is not a linear process; it's an all-encompassing process, and it's alive in different ways.
