Geoff Zanelli Quotes
I prefer live musicians whenever possible. And I tailor the ensemble to what is appropriate for the film and the score I'm writing.

Quotes to Explore
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Writing is an exploration. You start from nothing and learn as you go.
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You sit at your computer for hours, then slave away at your job that you may or may not like. You don't know how to explain to them that the time when you feel alive or present is when you are writing.
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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I'm not saying that in order to be a great jazz musician you have to be a great classical pianist first. But I am saying that it makes things easier when you can get around the instrument, and you have some idea of how to approach the various hurdles.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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I'm so damn boring. I like reading and writing and making coffee. And walking. Barry Jenkins likes long walks.
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There's no such thing as a writer's block. If you're having trouble writing, well, pick up the pen and write. No matter what, keep that hand moving. Writing is really a physical activity.
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I think the way to be a writer is to experience things, certainly, and be open to things, but at some point to become dedicated to the craft of writing and to create a stable environment for that writing to occur in.
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I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
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Television has raised writing to a new low.
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I genuinely miss writing now on the rare days I don't write; my mouth waters when I think about writing, and I have an extreme physical reaction to the idea of doing it.
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When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.
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Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.
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I like writing strong women, because as a straight male, there's nothing more attractive to me than a strong girl.
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Other writers definitely influence my writing. What encourages me and inspires me is when I read a good book. It makes me want to be a better writer.
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I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.
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With writing, I love doing it, but there's that love-hate relationship: You're not having a good run, you've hit a wall; it's frustrating.
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We only had a couple of ways for people to hate us on 'X-Files,' including still writing actual fan letters. Now people can instantly tell you, 'Oh my God, I love you,' or 'Oh my God, you are the worst person on the planet.' They actually had to hate you enough or love you enough to write a letter, put a stamp on it and send it.
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Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.
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One movie is only one movie. I want to have a lifetime of making films.
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You've got Corey Feldman doing his thing, and the problem is, they're trying to be pop stars. You can't compare Salty to any of the other actors out there playing music.
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As a kid, I imagined being an artist.
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When I was a kid I joined the circus. I did that. It is true. But it's not like you think. There was a guy, he had his own circus. His name was Carol Jacobs and he owned it. It was a small thing.
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I prefer live musicians whenever possible. And I tailor the ensemble to what is appropriate for the film and the score I'm writing.