Geoffrey Dutton Quotes
The style, often found difficult in the earlier books, is just as individual but more perfectly modulated to experience, and the dialogue is much closer to contemporary idiom, especially when those cadences have been masterfully twisted to satirical ends.

Quotes to Explore
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As far as an actor-director connection, I think those can develop, and when they do, they're really great, and you just cultivate it like you would any relationship or friendship. If you find that something special, it helps down the line when you want to do more projects with each other.
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People sort of went crazy when 'BTWAM' came out. I'm happy a bunch of people read it. I'm happy it touched so many people. I'm less happy that it became an object for certain folks or was discussed that way. I'm less happy that journalists started scrolling through my kid's Instagram account.
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Politics is a herd mentality. Politicians don't really lead. Politicians reflect what they think is consensus opinion.
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'Runaround Sue' was a big record for me, as well as the music video for it.
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I'm always looking to do things that are really different from each other.
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I have learned how to better handle things as they come.
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I never had little brothers, so I was totally not used to hearing a lot of cussing at a young age! I learned what 'pull my finger' meant the hard way.
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I do believe that movies are subject to a million interpretations.
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I am so disturbed by kids who spend all day playing videogames.
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I got to work with my wife, Lena Olin, for the first time, which was great. I thought it might be difficult in some way to talk to one's wife in a different way but it was so not forced.
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I have to go through auditions, and my surname has got me into rooms, but I'll never know if it gets me any jobs. There's a lot of sexism and objectification, and a lot of people put you down.
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I'm still going to have to go out and score, but defensively hopefully I can make them a little bit better.
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When I work for someone else, I always make money for them. When I back my own ideas, I am bound to lose.
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It wasn't a deliberate decision to become a poet. It was something I found myself doing - and loving. Language became an addiction.
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Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one.
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Sometimes you find your voice by trying to write like people, and sometimes you find it by trying to write unlike people.
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I'm like half Brazilian and half American now.
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The dead don't die. They look on and help.
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I think reading is important for a variety of things. I mean, first of all, it's a way to get information and find out what's going on in the world. But also, it helps your imagination.
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For all I know, I am beginning with the ending. My page one can wind up a year later as page two hundred, if it's still even around.
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The more successful we get, the more opportunities come our way.
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I want to paint what I feel, and feel what I paint.
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My books should feel like you're getting a peek into a private world: a diary no one was meant to read. As soon as I start thinking, 'This book is going to be published,' my drawing becomes calculated and deliberate. It's one of the ways I trick myself.
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The style, often found difficult in the earlier books, is just as individual but more perfectly modulated to experience, and the dialogue is much closer to contemporary idiom, especially when those cadences have been masterfully twisted to satirical ends.