Geoffrey Hill Quotes
Snooki is a bestselling author? Huh? What? I don't know if I should dumb down my book, shoot myself or find a publisher who'll settle for a rough draft written on a Pop-Tart and a coconut lotion handie.
Quotes to Explore
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They say it is the first step that costs the effort. I do not find it so. I am sure I could write unlimited 'first chapters'. I have indeed written many.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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I'm going to name a name: Janet Evanovich. She writes the same book over and over, and I read every single one of them and eagerly anticipate them.
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Everyone's clamoring for the fourth book in the 'Fifty Shades' trilogy, which makes me laugh. Just the part of 'a fourth book in trilogy' that makes me laugh, not the clamoring for the next book.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.
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Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed.
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That's why I haven't been so anxious. But now, lots of people write and say, 'I want to find out what you're doing.' So I know that this book will enlighten them.
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That wasn't a bad price for a first book. My agent upped it as much as possible. I was 27 and had nothing behind me. I was working like a fool to earn a living and pay for my apartment.
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Don't hire anyone - no matter what they offer - who promises you they'll sell 'X' copies of your book. Every book is different. The best any marketing company or PR firm can do for your book is make potential readers aware of it.
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Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake.
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When you're a writer, you hear your internal critic, and that's really hard to get over. And then sometimes you hear critiques from classmates and stuff. But when a book comes out, it's just hundreds of opinions and you have to learn to separate out the ones you want to listen to or figure out many you want to listen to.
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A classic is a book that doesn't have to be written again.
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There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
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The process is different for every book, but there are similarities. I always draw from the inside out. I don't plot them ahead of time, and I'm always surprised by things that happen in my books.
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I met Heinlein after 'The Forever War' had won the Hugo and Nebula Awards. He shook my hand and said he loved the book so much, he'd read it three times.
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You know what I loved about 'Sideways'? Well, the wine, of course. But it was one of the few movies in which being a writer was realistically depicted. I loved how the Paul Giamatti character tries so ineptly to talk about his book.
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I have read every book in the 'Dune' series and every Anne Rice book.
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It doesn't require much thought for one to realise that any travel book worthy of the name has to be a departure from the standard idea of the form.
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We want a book to be a book. We'll have all the interactive bells and whistles but our intent is to engage young people in reading, not to show them a movie.
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Allowing alternative narrative modes in popular entertainment may seem obvious, yet when you turn a pilot into the people upstairs and the main character isn't after what she wants by the top of page two, you get treated as if you've failed at writing.
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There’s really nowhere else I can go, and even if there were, it wouldn’t make a difference because I’d just be running from myself, and you can’t do that no matter how hard you try, and trying hard is what got you in this predicament in the first place.
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When you're managing a large number of people, you learn that incentives matter tremendously. You really want people to be rewarded for doing the right thing for the customers and the organization.
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Snooki is a bestselling author? Huh? What? I don't know if I should dumb down my book, shoot myself or find a publisher who'll settle for a rough draft written on a Pop-Tart and a coconut lotion handie.
