Kiersten White Quotes
Sometimes I wanted to take a memory - one perfect memory - curl up in it, and go to sleep.
Quotes to Explore
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I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.
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The celebration of homeownership seems to be part of a countermovement against popular owning of shares in corporations.
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The whole purpose of those attacks was to drive those contractors out. Lots of them had to leave. They were terrified.
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I was a huge fan of comedy in high school.
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The physics of water is central to cooking, because food is mostly water. All steak that you cook is actually boiled on the inside.
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I am a movie fan across the board, though, so if a movie is well done then I love it and it does not really matter what the genre is.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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I developed a passion for the Middle Ages the same way some people develop a passion for coconuts.
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When I get into bed at night, I hope I don't get into it alone!
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It would almost be sinful to say that I regretted doing 'Charlie's Angels' because it did so much for my career.
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Cancer is something that, tragically, affects almost all of our lives.
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I definitely enjoy working with people who can do their thing but also allow me to do my thing, you know? Who respect the process.
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I've sorta learned that I'm so tired of taking myself so seriously. It's so great to show up at work and truly enjoy every word you say.
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It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
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There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.
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All good, clean stories are melodrama; it's just the set of devices that determines how you show or hide it.
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I used to play shows in D.C. and then drive back to New York to work at 6 A.M. So there are those moments, and you just really need to power through them. Eventually, it builds on itself.
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I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist.
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Exposure to a diversity of disciplines has been exceptionally helpful to me.
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Places seem to me to have some kind of memory, in that they activate memory in those who look at them.
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I know there are a lot of people out there who have the best intentions but not the voice, so it's about people like me to give them a voice and hear their ideas.
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Sometimes I wanted to take a memory - one perfect memory - curl up in it, and go to sleep.
