Kiersten White Quotes
Sometimes I wanted to take a memory - one perfect memory - curl up in it, and go to sleep.
Quotes to Explore
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I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.
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The celebration of homeownership seems to be part of a countermovement against popular owning of shares in corporations.
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The whole purpose of those attacks was to drive those contractors out. Lots of them had to leave. They were terrified.
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I was a huge fan of comedy in high school.
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The physics of water is central to cooking, because food is mostly water. All steak that you cook is actually boiled on the inside.
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I am a movie fan across the board, though, so if a movie is well done then I love it and it does not really matter what the genre is.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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I developed a passion for the Middle Ages the same way some people develop a passion for coconuts.
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When I get into bed at night, I hope I don't get into it alone!
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It would almost be sinful to say that I regretted doing 'Charlie's Angels' because it did so much for my career.
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Cancer is something that, tragically, affects almost all of our lives.
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I definitely enjoy working with people who can do their thing but also allow me to do my thing, you know? Who respect the process.
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I've sorta learned that I'm so tired of taking myself so seriously. It's so great to show up at work and truly enjoy every word you say.
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It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
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There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.
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All good, clean stories are melodrama; it's just the set of devices that determines how you show or hide it.
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I used to play shows in D.C. and then drive back to New York to work at 6 A.M. So there are those moments, and you just really need to power through them. Eventually, it builds on itself.
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I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist.
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It's a poor sort of memory that only works backwards.
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Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it.
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This paper will serve instead of a confidential friend into whose ear I might pour forth the overflowings of my heart. It will not sympathize with my distresses, but then, it will not laugh at them, and, if I keep it close, it cannot tell again; so it is, perhaps, the best friend I could have for the purpose.
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Sometimes I wanted to take a memory - one perfect memory - curl up in it, and go to sleep.
