George Clarke Quotes
Our houses are at least 12 feet under water. All you can see on TV are rooftops. And the bridge we came across, the I-10 twin span, is now split.
Quotes to Explore
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I have an idea that the phrase 'weaker sex' was coined by some woman to disarm the man she was preparing to overwhelm.
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It's hard to have people talking about you and trashing you in the media and saying they think your career is over... and you are only 25.
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I grew up in a house full of books and parents who read, which led to me to reading from a very young age. And reading seemed to naturally progress to writing.
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I love make-up and the process of transforming my face for a night out, but I definitely don't believe in wearing it every day. I think it's really important to be comfortable with the way you look without it.
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But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
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To suggest that you can't be both a mother who is completely in love with her babies, and a professional who is tough and tenacious, is ridiculous.
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I write what I write in the way that I write it. I'm not being abstract, you know. I'm talking about something that, you know, is a part of my life.
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Yeah, I am lazy. There's no doubt about that.
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My parents separated when I was 2, and my dad always lived in Chicago and my mother in L.A. I'd go back and forth and sometimes spend the summer with my dad, but L.A. was home.
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Every man I meet wants to protect me. I can't figure out what from.
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One of my favorite movies of all time is 'Bugsy Malone.'
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Public policy in the twentieth century was about protecting and expanding the social compact, based on recognition that effective government at the federal level provides rules and services and safety measures that contribute to a better society.
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Bob Weir calls me a saint, but I'm 'Saint Misbehavin'.' They're making a documentary about my life, and that's the current shooting title. I can roll with that, but otherwise the s-word makes me really paranoid.
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I don't think I'd ever start making a film until I had both the intimacy with the subject and the distance to make it live in a certain way.
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This is one of the miracles of love: It gives a power of seeing through its own enchantments and yet not being disenchanted.
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I believe I'm doing the right thing in trying to step away from that and to take chances and work on little independent films and do stuff like that wild dance scene.
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Every record we do, we do one song we didn't write.
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I go to a meeting every day. I surround myself with people who don't use. I recently got back from Ozzfest and I caught myself in kind of a sticky situation where I was around a lot of people using, drinking and it was kind of - I didn't have the urge to use once, but I just knew I shouldn't have been there.
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My writing is about connecting ways of talking to human relationships. My purpose is to show that linguistics has something to offer in understanding and improving relationships.
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When I am idle and shiftless, my affairs become confused; when I work, I get results ... not great results, but enough to encourage me.
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I had a vision of what it would look like if like seventy people at the same time went nuts and sprayed water everywhere.
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The many faces of Collective Vision united by the mandalic eye-field suggest both expansion of consciousness and sharing of consciousness with other beings. The painting was based on a profoundly ego dissolving entheogenic mystical trance where I heard the words, 'Infinite Oneness... the Oneness should never forget the Infinitude and the Infinitude should never forget the Oneness...'
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Our houses are at least 12 feet under water. All you can see on TV are rooftops. And the bridge we came across, the I-10 twin span, is now split.
