Zadie Smith Quotes
It seems that if you put people on paper and move them through time, you cannot help but talk about ethics, because the ethical realm exists nowhere if not here: in the consequences of human actions as they unfold in time, and the multiple interpretive possibility of those actions.
Quotes to Explore
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I have changed so much as an actor over the years.
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People know things and have a remarkable capacity to act in their individual immediate interests all the time.
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I love Bridget Fonda.
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I think, in general, when you're doing comedy, you're having a good time regardless of the comedy table tennis that you're playing. I think you want that, too: you're rooting for two characters to be together, and you should feel that even when they're angry at each other, they're still in synch with each other.
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I love 'The X-Men;' that was the first comic series that I was dedicated to, because I feel like you can pick your player. 'I'm the most like Gambit... or I'm totally a Storm.'
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From age 16, I lived and breathed wine. I read every magazine and book about wine.
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The trade magazine and all was banned in my house. The first time I read a film magazine was when I was 18.
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I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
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I feel there's enough seriousness in the world without seeing it in the theatre.
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I don't want to paint a picture of total gloom and doom.
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I wrote music as soon as I knew notation.
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I think comedy is one of the hardest things to do.
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Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
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Horrors, I believe, should be original - the use of common myths and legends being a weakening influence.
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I have been, and will remain, outspoken in my insistence that Israel has a right to live in peace and security.
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I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods.
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Madonna is a creation, so perhaps we should give her and the factory that created her a little credit, but I think that she should quietly disappear now. Poor Madge seems unable to decide whether she wants to look like Marilyn Monroe or Marlene Dietrich.
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Things happen for a reason. I'm happy, but not I'm not satisfied with the things I'm doing.
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Change is the one thing we can be sure of.
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I don't know about five guys against the world. It's more like five guys against these three chords, and we're gonna wrestle 'em down no matter what it takes.
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You know sometimes I just want to curl up on stage and lie there for a while - it's weird.
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The crude commercialism of America, its materialising spirit, its indifference to the poetical side of things, and its lack of imagination and of high unattainable ideals, are entirely due to that country having adopted for its national hero a man who, according to his own confession, was incapable of telling a lie, and it is not too much to say that the story of George Washington and the cherry-tree has done more harm, and in a shorter space of time, than any other moral tale in the whole of literature.
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I've discovered all kinds of music and done all kinds of music over the past 40 years, from playing tango with Piazzolla to all the different bands I've had.
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It seems that if you put people on paper and move them through time, you cannot help but talk about ethics, because the ethical realm exists nowhere if not here: in the consequences of human actions as they unfold in time, and the multiple interpretive possibility of those actions.
