George G. Ritchie Quotes
Quotes to Explore
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Some things are so tragic that you don't know what's funny in it, and some things are so ridiculous you don't know if it's worth talking about it.
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I didn't dictate sections of 'Visions of Cody'. I typed up a segment of taped conversation with Neal Cassady, or Cody, talking about his early adventures in L.A. It's four chapters.
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I love morning television because it's the most vulnerable time of day, when you are at your rawest, and if I have the ability to make viewers smile, that's a gift from God.
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I don't think immigrants are that threatening to society at all. They're just happy they've survived some war somewhere.
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What's upsetting about an autobiography is that the final chapter is always missing. I mean, you want the death, don't you?
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I guess I've always been really attracted to period pieces and always felt visually I was probably more made for the '50s or the early '60s than I am for a modern day.
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Every day in the year there comes some malice into the world, and where it comes from is no good place.
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I love road trips! My husband and I love that. We bought a truck with a bench seat so we could put the dog in the middle.
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My father used to play with my brother and me in the yard. Mother would come out and say, 'You're tearing up the grass'; 'We're not raising grass,' Dad would reply. 'We're raising boys.'
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We never wore burkas because Somalis had our own culture.
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Vegas has the Whitman's Sampler of audiences. They come from all different places, so you have to do some crowd psychology. You have to find the heartbeat of the room. It doesn't shift my jokes, but it shifts my timing and my attention.
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Monkeys don't enjoy or appreciate flavours. Experts have told us that human beings are the only beings that can appreciate food at this higher level and the only living beings that cook.
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My optimism is not based primarily on the successful march of democracy in recent times but rather is based on the experience of having lived in a fear society and studied the mechanics of tyranny that sustain such a society.
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Progress makes us lose the feeling of a ceremony that cooking should have. It has significantly shifted our values so that now it seems to us that only activities with an economic reward are worth pursuing.
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When people have lost their jobs or are afraid of losing their jobs in the future, they lash out. They want others to know about their fears, their pain.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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I hate interference, and I don't interfere in others' lives.
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Gandalf is ever-present in my life. I like it.
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You spend so much to buy these media net stories or full page ads to build perception... you can rather save this money and put it in the making or marketing of the film.
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When I met my designs in the market of a remote village in the West Indies, or in the airport restaurant in Zurich, I felt like the mother of many well-behaved children.
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It's super dope when you connect with something personally.
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Donna E. Smyth - adventures with words; she is always doing something new and unique. Beginning with her visceral morality, her stories are startling, nerve wracking, provocative: she combines Angela Carter's beautiful style with Patricia Highsmith's malevolent atmospheres. Smyth shatters clichs and dismisses mere sociology. She knows that pleasure is besieged by terror. She tells us what we don't want to know, but need to know. Smyth's writing disturbs us, enrichingly, because truth can never be at peace with language.
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There's a lot of life on the planet that needs love, wants love, deserves love, in whatever capacity we are able.
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Death is nothing more than a doorway, something you walk through.
