David Rees Quotes
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
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Writing is an exploration. You start from nothing and learn as you go.
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I like the performing. And interviews, even. And the stuff that's not sitting in a room by yourself with empty paper. But I never loved writing, to tell you the truth.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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And I don't believe that women can successfully have it all. I really don't.
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I think I've paid my dues. I've really put in a lot of time on set.
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I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
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When I get on a roll with something, it's really hard for me to put it down unfinished.
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I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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My favorite thing in life is writing about life, specifically the parts of life concerning love. Because, as far as I'm concerned, love is absolutely everything.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.
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I start writing with only the vaguest idea about who my characters are and what is going to happen, and the characters and plot come into existence as I go. I've tried doing it the other way, but for me, outlining is a waste of time because I never follow the outline.
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I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
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By the time I was at college, I became very alert to the question of racial discrimination, and I remember one of my first writing attempts had to do with a lynching.
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I used to be something of an obsessive when it came to research. When I first began writing the Thorne novels, I would drive to a set of traffic lights in the early hours of the morning to make sure you could turn left. I thought it was important to get even the most trivial details right.
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To me there's no creativity without boundaries. If you're gonna write a sonnet, it's 14 lines, so it's solving the problem within the container.
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I didn't go on a campaign of developers asking, 'Please give me money.'
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Hooks need to be predictable and not predictable at the same time.
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I'd always been really intimidated by prose writing.
