George Saintsbury Quotes
Quotes to Explore
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This truth must be recognized as a dogma and assume the validity of an axiom in the general understanding of painting.
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A phoenix, Beirut seems to always pull itself out its ashes, reinvents itself, has been conquered numerous times in its 7,000-year history, yet it survives by both becoming whatever its conquerors wished it to be and retaining its idiosyncratic persona.
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I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
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Raising children should mean helping them to become what they already are in God’s eyes.
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I might try that one thing, you know, that thing people do when their eyes get all wet and stupid—what’s it called? Crying? Or NOT. I might PUNCH you instead and trust that you won’t punch me back because of my endearing smallness. It would be like punching a child.
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All you need is something to say, and a burning desire to say it... it doesn't matter where your hands are.
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We refuse to recognize problems of form, but only problems of building. Form is not the aim of our work, but only the result. Form, by itself, does not exist. Form as an aim is formalism; and that we reject.
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You've got to dance like nobody's watching, and love like it's never going to hurt.
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I think they're all trying to see who can walk through the coldest or hottest shower. Not sure which.
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For this I see, that we, all we that live, Are but vain shadows, unsubstantial dreams.
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Since all of us desire to be happy, and since we evidently become so on account of our use — that is our good use — of other things, and since knowledge is what provides this goodness of use and also good fortune, every man must, as seems plausible, prepare himself by every means for this: to be as wise as possible. Right?
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The French are wiser than they seem, and the Spaniards seem wiser than they are.
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We city dwellers, we residents of Los Angeles and the surrounding areas, are for the most part urbanized to some extent. We know deadlines, start times and traffic.
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The advertising marketplace is moving rapidly into digital videos. We know that by 2018 it is estimated that it will be a $12.2 billion business. We've been seeing the agencies combine their digital video spend with television spend and put it under one spend and just calling it "video." The pool of money is becoming much bigger. The comparisons between television and digital video are being made much more often because you can account for who's watching, you can't fast-forward through the commercials. There's a much more intimate relationship with someone watching digital video.
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There was a sadness over me, a melancholy. That's always been a part of me – those are some of the things that lead you to the arts.
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No matter what else happens, this is the century in which we must learn to live without fossil fuel.
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The twentieth century belongs to Canada.
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But the eighteenth century, on the whole, loathed melancholy.
