George Sewell Quotes
I wish I were one of those terribly clever people who, when they write their autobiographies, always say, when I was fifteen months old I distinctly remember my Aunt Fanny saying to me, etc.
Quotes to Explore
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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When I was young, I admired clever people. Now that I am old, I admire kind people.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I really don't have anything urgent to say, and I think you shouldn't write unless you have something urgent to say. Sometimes that troubles me, and sometimes I don't really care.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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I opened up every can of worms I could. I got to the place where I would peel back one layer, and then another layer, and the stuff that would come up underneath was so inspiring, it made me want to write about it.
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I got tired of books where the boy is a bit thick and the girl's very clever. Why does it have to such an opposition? Why can't they be like the girls and boys that I know personally, who are equally funny and equally cross? Who get things equally wrong and are equally brave? And make the same mistakes?
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I don't think of myself as Scottish or lesbian when I sit down and write. I am glad I have broken out of that limited audience.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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Yes, it's hard to write. But it's harder not to.
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I do, however, think it would be difficult to write books I don't like to read.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I write in the studio.
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I will always, forever, write songs, and wherever they're meant to be is where they'll be.
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Looking back, I see that I write books about brothers and sisters, about what makes up a family, what works and what is nurturing.
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My deal was that they would use a full-length picture of me in my underwear and a full-length picture of me all done up, and they would write about how long it took and how much it cost, because that was the whole point. It was very liberating.
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When I write, I tend toward melancholy, and the few times that I've tried pure joy in music, it doesn't really work that well. The joy can be through catharsis. I think that's what I do well, and observation.
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As winds come whispering lightly from the West, Kissing, not ruffling, the blue deep's serene.
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Prosecutors say my father was the biggest crime boss in the nation... If you really want to know what John Gotti was like, you need to talk to my family. We lived this life.
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I won't have a traditional marriage; I don't find the value in that anymore. But I am such a hopeless romantic and I really want love and I want a committed relationship, so I am going to reinvent marriage for myself.
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I wish I were one of those terribly clever people who, when they write their autobiographies, always say, when I was fifteen months old I distinctly remember my Aunt Fanny saying to me, etc.
