George Sewell Quotes
I wish I were one of those terribly clever people who, when they write their autobiographies, always say, when I was fifteen months old I distinctly remember my Aunt Fanny saying to me, etc.
Quotes to Explore
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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When I was young, I admired clever people. Now that I am old, I admire kind people.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I really don't have anything urgent to say, and I think you shouldn't write unless you have something urgent to say. Sometimes that troubles me, and sometimes I don't really care.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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I got tired of books where the boy is a bit thick and the girl's very clever. Why does it have to such an opposition? Why can't they be like the girls and boys that I know personally, who are equally funny and equally cross? Who get things equally wrong and are equally brave? And make the same mistakes?
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I don't think of myself as Scottish or lesbian when I sit down and write. I am glad I have broken out of that limited audience.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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Yes, it's hard to write. But it's harder not to.
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I do, however, think it would be difficult to write books I don't like to read.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I write in the studio.
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Looking back, I see that I write books about brothers and sisters, about what makes up a family, what works and what is nurturing.
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There were songs I would write about breaking up with somebody before I broke up with them, months and months before I broke up with them.
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At least I can write.
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I had a dream to become a mounted policewoman.
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Being famous has changed a lot, because now there's so many outlets, between magazines, TV shows, and the Internet, for people to stalk and follow you. We created the monster.
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I worked at the American Conservatory Theater in San Francisco, lived there for three years, and lived in Baltimore for 12 years.
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I wish I were one of those terribly clever people who, when they write their autobiographies, always say, when I was fifteen months old I distinctly remember my Aunt Fanny saying to me, etc.
