George V. Higgins Quotes
The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story.
Quotes to Explore
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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Telling people not to have children is unthinkable and inhumane.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Sometimes the kids come up with better endings than the real story.
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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I never want to write a book just to tell a story. There is always something deeper going on.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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My books are character-driven. They're not driven by the story.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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I worked in the story department for years on 'Cars' and 'Toy Story 3.'
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For me, clothing is nothing without the story behind it. Everything I own evokes some kind of memory.
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I will not go into a story unprepared. I will do my homework, and that's something I learned at an early age.
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It is expected that a children's story will raise a difficulty and then resolve it: increasingly, this resolution is so prompt and so resounding that one forgets what exactly the difficulty was.
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Myself and David, we both love art. We have a lot of respect for Damien Hirst and Julian Schnabel, and we've met them both, and they're very interesting characters. I also have a lot of respect for the working women out there. As you know, it's not easy when you're looking after children and you have a career as well.
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Steampunk is not a group of children in a classroom, sitting quietly while the teacher reads a story; it's the kids at recess, playing a wild, endless game of pretend.
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We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
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For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
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I can't go to the cinema. I go to the bathroom in a petrol station and people come in there for autographs. It's tough but I knew that was going to be the case.
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I'm a TV junkie, so it's hard to choose just one. Currently I'm a slave to 'Black Sails,' 'Vikings,' 'Game of Thrones' and 'The Mindy Project.'
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It is the women of Europe who pay the price while war rages, and it will be the women who will pay again when war has run its bloody course and Europe sinks down into the slough of poverty like a harried beast too spent to wage the fight. It will be the sonless mothers who will bend their shoulders to the plough and wield in age-palsied hands the reaphook.
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I don't believe in cutting out people from the past. It doesn't give strength; it just gives loneliness.
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The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story.
