George Vaillant Quotes
Quotes to Explore
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William Lloyd Garrison was up there with Frederick Douglass being thrown off trains and going through what happened in the 1960s in 1840 in Boston.
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I don't plan on being bashful.
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When the needs of one person are being met by the other, there is laughter.
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The Southern borders of Bavaria are being protected by Hungary.
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Being on 'The Sopranos' definitely prepared me for the militant secrecy of 'Mad Men.'
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What I needed most was to love and to be loved, eager to be caught. Happily I wrapped those painful bonds around me; and sure enough, I would be lashed with the red-hot pokers or jealousy, by suspicions and fear, by burst of anger and quarrels.
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For me, being a mum has been a really, really instinctive thing.
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This Republic was called into being, organized, and is upheld, by a great political doctrine.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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I love working in America, I love being part of the industry out here.
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I loved almost everything about being a teacher, but I was an unusual teacher.
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All the things that most kids hated, I loved. I loved that things were asked of me and that, much to my surprise, I was able to do them. I loved the 10 o'clock bedtime. I loved the responsibility.
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John Hughes loved improvisers.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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'Lipstick Jungle' was on the air for 20 episodes - I loved 'Lipstick Jungle.'
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Me being able to beat up Austin Powers? I mean, how great can that be?
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Oh my goodness me, Daniel Day-Lewis – huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
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When I was really little, I loved Whitney Houston. I thought she was the prettiest thing in the world.
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To call a work of art Kitsch is to condemn it for being bad art. But there is a great deal of bad art that we do not condemn as Kitsch. To condemn something as Kitsch is to condemn it on moral grounds.
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And really, the reason we think of death in celestial terms is that the visible firmament, especially at night (above our blacked-out Paris with the gaunt arches of its Boulevard Exelmans and the ceaseless Alpine gurgle of desolate latrines), is the most adequate and ever-present symbol of that vast silent explosion.
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I do pinch myself, like when shows in non-English speaking countries are sold out, and people are singing my lyrics. I don't think I'll ever lose that; I'm always appreciative every day of the support I have as an artist, because I'm not a commercial artist.
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There is no one subsists by himself alone.
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It's very hard, for most of us to tolerate being loved.
