George W. Bush Quotes
Quotes to Explore
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Creating things sometimes is difficult.
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I always like to sing along to some depressing, angry Morrissey.
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I wore U.S.A. across my chest in 1976.
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My mother's nickname for me is 'Positive Patrick.' I like to live up to that title.
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I think it's fascinating to look at a world that an author has created that has sort of stemmed from the world now, and usually dystopian books point out something about our current world and exaggerates a tendency or a belief.
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I'm not going to change my game because I got hurt.
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I think the concept of polo that people had in the 1920s and the 1930s was much more accurate, when going to a polo match was seen as a great day out and great fun on a more popular level.
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It seems like when I first started, people got into comedy because they wanted to be good comedians.
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No poetry that I'm aware of, however bad or glorious, has ever left somebody a worse person than they were before they read it.
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For example, the equivalent of a woman being treated as a sex object is a man being treated as a success object.
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Everyone wants to be famous; so do I. But I cannot lose sleep over it.
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I'm not a politician, but ISIS is a problem, and this matter should be solved very quickly. This will affect existing production, it will affect investment, it will affect the behaviour of people. It will affect the area tremendously.
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A responsive administration is tested most at the point of interface between the administration and the people.
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The General has got the gout, and Mrs. Maitland the jaundice. Miss Debary, Susan, and Sally, all in black, but without any stature, made their appearance, and I was as civil to them as their bad breath would allow me.
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Like everyone else you want to learn the way to win. But never to accept the way to lose. To accept defeat - to learn to die - is to be liberated from it. Once you accept, you are free to flow and to harmonize. Fluidity is the way to an empty mind. You must free your ambitious mind and learn the art of dying.
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Relationships do change throughout the course of your life, and I always think in terms of relationships changing and evolving rather than starting and stopping.
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Everything else - music, cinematography, costumes, design, acting - can be judged at face value. But when you're looking at editing, you don't know what the totality of the material was, and you don't know the working dynamic between a director and an editor - whether the editor was micromanaged or given free rein. It's very difficult.
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I trained with a few Olympic runners and jumpers. Just to try to get a little bit faster, a little bit better. Anything I could do to try to get a little bit better and stay ahead of the competition.
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I wasn't your normal plus-size girl who would dress in all black and hide in the shadows. I was very out there. But I was very shy and insecure about certain things.
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People in third-world countries are less eager to see movies full of angst over existential problems, and who can blame them. They've got other fish to fry. They'd rather see a few great dance routines and the guy end up with the girl.
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I came from Canada when I was about 10 years old, and our family settled in Cleveland, Ohio.
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My mom quit her whole life and came to live with me in California.
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Maybe a part of me recognized how right the improvising spirit of jazz is. Not the sounds, but the freedom to work with musicians who work that way. It felt very natural to me, but I think there's a way to do it without it being a jazz record.
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Everywhere that freedom stirs, let tyrants fear.
