Pankaj Mishra Quotes
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Local markets for literary fiction remain underdeveloped; the metropolis often holds out the only real possibility of a professional writing career.
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It's strange to recall that America animated none of my youthful daydreams. I did not see a Hollywood film until my late teens.
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
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The Turkish, Arab and Chinese nationalists who built new nation-states out of the ruins of old empires scorned their old, decrepit rulers as much as they did the foreign imperialists who imposed free trade through gunboats.
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As the 19th century progressed, Europe's innovations, norms and categories came to achieve a truly universal hegemony.
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Certainly, imperial power is never peaceably acquired or maintained.
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The onslaught of new and complex information, the academic and thinktank cults of expertise, not to mention the impossibility of bohemia in the age of high rents, have conspired to assassinate the public intellectual.
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National independence, and the preceding political struggles, helped create the space for literary creation in many post-colonial countries. Much of modern Indian or Chinese literature is inconceivable without the political movement for freedom from foreign rule.
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In a democratic age, you can't buck demography - except through civil war.
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Decolonisation seems to have dented little the sense of superiority that since 1945 has made American leaders in particular consistently underestimate the intensity of nationalist feeling in Asia and Africa.
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Many Indians and Israelis seem set to elect, with untroubled consciences, those who speak the language of torturers and terrorists. More disturbingly, these corrupted democracies may increasingly prove the norm rather than the exception.
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I grew up in small towns in Uttar Pradesh, Madhya Pradesh and Maharashtra - places like Akola, Betul, Wardha, Jhansi; I thought the rise of provincial India would be an interesting subject to tackle.
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The Korean War, which China entered on the side of North Korea, fixed Mao's image in the United States as another unappeasable Communist.
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Gandhi, brought out of his semirural setting and given a Western-style education, initially attempted to become more English than the English.
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I think there is no reason for us to bring to Islamism or political Islam the fear and ignorance of Western commentators and their hysterical vocabulary.
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My dominant feeling every day is one of great ignorance.
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The Arab Spring showed that people are not going to wait for an American president to make good on his big talk about democracy and human rights; they are going to fight for those rights themselves and overthrow pro-American dictators who stand in their way.
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Ineptitude and negligence directed British policies in India more than any cynical desire to divide and rule, but the British were not above exploiting rivalries.
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As a writer, I tend to be drawn to marginal people - writers, poet-prophets, seers, eccentrics - who embody the deeper ambivalences of their societies and bear deeper witness to their world than the famous figures we are used to celebrating, or demonizing, in our histories.
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My life was made easy - I lived in a village, and by writing for some newspapers and magazines, had enough to live on. I was happy to be there and write.
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The advocates of retaliatory wars will continue to assume a much simpler reality with their hoary oppositions: Religious and secular, backward and enlightened, free and unfree. But if we are to admit how deeply and irrevocably interconnected our world is, then we must find new ways to break the cycle of counter-productive violence.
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Political elites look increasingly interchangeable: Blair, Brown, and Cameron have all tried to provide cover for the surrender of sovereignty to foreign investors with invocations of 'British' values, and, more opportunistically, anti-immigrant rhetoric.
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I think the presence of caste in India, how the villages are geographically structured on caste lines, is very different from China. The presence of an egalitarian culture is striking in a Chinese village.
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Basically, I think of fiction and non-fiction as different ways of engaging with the world. You reach a point where you feel you have said all you possibly can, in reportage or a review essay or a reflection on history, which 'From the Ruins of Empire' was.