Demetria McKinney Quotes
I just wanted to make sure I had the music true to me and the life I'm living and to what I really want to say. That's super important to me.

Quotes to Explore
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I really love storytelling.
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I'm doing a lot of things in Africa. I've formed a company with two friends of mine called Made In Africa and we are doing a lot of important things across the continent.
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To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts.
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I couldn't be a royal. It's like living in a supersonic goldfish bowl.
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I like drums, really, if they're under control.
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I first came to Russia because of the culture, literature and music... and my interest in the 19th-century revolutionary spirit of Herzen, Bakunin and Kropotkin. Russia is a wonderful place to bring new clowns because Russians give back a wonderful response.
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Shania Twain brought a whole other fan base to country music with her sound, the way the videos were produced.
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When you have a few billion people connected with screens, not voice... screens are important. You can transmit a thousand times more information.
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Even after marriage, our home is important for us.
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Surveys show our standing around the world is higher than when I was elected to this office, and when it comes to every important international issue, people of the world do not look to Beijing or Moscow to lead - they call us.
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This is fun; consuming our music shouldn't be a responsibility like eating your spinach or something.
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I got started when I was 3 years old because my father was a music teacher and my lessons were free. Instead of learning to walk, you learn to play the piano.
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When people hear music that is spiritual it gets through. Music that is Godlike and loving gets through. I don’t have any power in this world, but I have spiritual power. I think God gave me my music and my talent. I’m trying to get across a feeling of spirituality; I think I have a spiritual influence on people.
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'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
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I was a drummer living in Los Angeles in 1990. I had finished music school and was playing with a band. It wasn't going as well as it should have been.
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For me, I don't feel all the pressure. I make music, and I release it because I like it myself and I want my friends to hear it from me.
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A vote of confidence from Cisco Systems can be very important to fledging technology companies, especially if they have initial public offerings on the horizon.
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Of course, you see your body changing as you age, but it's more important to live than be too preoccupied with that sort of thing. I think ultimately what people care about in other people is the energy, the spirit.
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I'm happy to write 10 times too much music.
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I was more of a dancing kid than a singing kid. I mean, I sang in school choirs and I sang in school musicals, but I was much more interested in dancing than singing.
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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Petruchio is a very clever guy and clearly has a lot of bravado and confidence. My feeling is that he's broke at the beginning of the play and needs a dowry to save face back home.
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If you do a practice and train your attention to hover in the present, then you will build the internal capacity to do that as needed - at will and voluntarily.
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I just wanted to make sure I had the music true to me and the life I'm living and to what I really want to say. That's super important to me.