Barbara Kruger Quotes
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
Quotes to Explore
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The first thing one must remember about film is that it is a young medium. And it is essential for every responsible artist to cultivate the ground that has been left fallow.
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Success follows doing what you want to do. There is no other way to be successful.
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I have run two Olympic 'A' standard times over the past 12 months and with the time I ran at the African Championships last week I know my speed and fitness are constantly improving so that I will peak in time for the Olympics.
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We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it.
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I don't have time to sit up and write songs all day. Maybe one day when my kids get older.
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Everywhere in the world, we're aware that democracy has incredible flaws and that the word has been used, especially in the United States, to wage wars.
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I graduated from UC San Diego, wanted to work in film to get my hands-on real experience, did music videos, TV, feature films, all kinds of stuff.
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You never know when your future wife might be in the stands.
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The people will save their government, if the government itself will allow them.
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My dad's one of the funniest men in the world. I grew up with him making me laugh so much I'd beg him to stop.
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I'm not so sure I believe in dopplegangers. I just prefer to be Dane DeHaan.
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I hardly ever stretch the canvas before painting.
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The songs I've written that are the strongest, I'm like: 'I don't know where that came from. It just kind of popped out.' You feel you can't take a whole lot of credit for it. I didn't purposefully will it into existence.
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I hate thinking about clothes. I hate shopping.
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The first job I ever had was singing in a jazz club when I was like 15 with my friend, and we earned like 70 bucks. We were like, 'Oh my God!'
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My customers are successful workingwomen.
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I think poetry is a fabulous medium to encapsulate thoughts far more precisely than prose.
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When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
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Shortly afterwards, I did a third one to repair the robotic arm of the station. This arm plays a very important role in the ongoing expansion of the station as well as in the deployment of solar panels.
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It's difficult to have any animosity towards someone if you recognize that on so many levels they're exactly the same as you.
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The goal was always to do something that felt human but was 100 percent electronic.
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I tell public audiences, don't go to a podiatrist for brain surgery; don't go to an astronomer for planetary science.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
