Nav (Navraj Singh Goraya) Quotes
I think it's becoming balanced. You have a lot of artists coming from New York and LA. For a while it was just Atlanta. Now I see big artists everywhere, to be honest. The way the Internet is now, people aren't going to care where you're from, as long as you have some sick shit going on.
![Nav](http://cdn.citatis.com/img/a/7/40423.v5.jpg)
Quotes to Explore
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In 2001, America 's hospitals provided nearly $21 billion in uncompensated health care services.
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The artist is the medium between his fantasies and the rest of the world.
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If a severe pandemic materializes, all of society could pay a heavy price for decades of failing to create a rational system of health care that works for all of us.
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Conrad Ludlow was an extraordinary partner... We just called him the greatest partner because he just knew what a woman's balance was.
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I'm trying to strike a balance between Bollywood and Hollywood.
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First off, no one award-wise ever rewards comedy, which is... whatever. I don't care about that.
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Hubris itself will not let you be an artist.
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I'm a crier. I always cry. I cry at the dumbest things, too. This is why I sort of steer clear of movies and films that I know are going to be depressing. I don't care how many awards they've won - I know they're good. I don't need to watch them, because I don't want to be depressed, and I don't want to cry.
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Being a stunt coordinator, I have to take care not only of myself but I have to make sure everyone is safe.
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I knew I wanted to be an artist, but I didn't really know what it was I wanted to say.
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I would definitely love to continue acting, and I also really enjoy school, so I would like to balance the two somehow.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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What's more condescending and corny than someone telling you how much more money they have than you and telling you basically, 'I don't care about poor people,' which is a large part of what you hear of corporate hip-hop on the radio.
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Driving a cab is not really a nurturing type of relationship. You take people and they tip you, they may not tip you, you don't know their names, they don't care about you, you don't care about them.
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Polite and velvety leaders, who take care to avoid bruising others, are generally not as effective at forcing change.
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I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.
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Our community is like many around the country that have, as the gentleman from New York referenced, sophisticated planning and zoning regulations. These are elements that are developed as a result of local community pressure to balance interests.
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Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
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In Hawaii, we have something called Ho'oponopono, where people come together to resolve crises and restore peace and balance.
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I dreamt this ship was sinkin' there was people screaming all aroundAnd I awoke to my alarm clock it was a pop song it was playin' loud
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It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
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I think it's becoming balanced. You have a lot of artists coming from New York and LA. For a while it was just Atlanta. Now I see big artists everywhere, to be honest. The way the Internet is now, people aren't going to care where you're from, as long as you have some sick shit going on.