Silvana Estrada Quotes
For me the songs on this album come from a really poetic and abstract vein. The record has a strong focus on the rhythmic and melodic parts, so in that moment I felt like the lyrics needed to be more like a poem, abstract images creating sensations beyond the “storytelling”.
Quotes to Explore
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Now that virtually every career is an option for ambitious girls, it can no longer be considered regressive or reactionary to reintroduce discussion of marriage and motherhood to primary education. We certainly do not want to return to the simplistic duality of home economics classes for girls and wood shop for boys.
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Unlike the Marxists, I have no mind block against the U.S.
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I do sometimes wonder if people think, 'Oh we'll have her because she cries well.' The odd thing is I don't really know where it comes from. If the script is good, I find I can usually cry without too much trouble - in fact, the hard thing is trying to get me to stop. But I'm not really a crier in real life. I'm not a dramatic person, you see.
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I think the British audience might be more open-minded with some of my imagery and weird choices.
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I know one husband and wife who, whatever the official reasons given to the court for the break up of their marriage, were really divorced because the husband believed that nobody ought to read while he was talking and the wife that nobody ought to talk while she was reading.
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You learn how to be an individual quick after 15 schools, man. After the first five or six, you realize you're always gonna be the new kid.
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Elves are like trees, grounded and focused from the trunk down but graceful and agile on top.
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When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.
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Ships at a distance have every man's wish on board.
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I did kindergarten twice because I was so shy.
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Any conductor who tells you that if he is approached for the directorship of the Chicago Symphony that he's not interested in it, you know perfectly well he's lying.
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I made a promise to myself to be kinder to other people.
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I will just think, why am I singing? Then I will know everything I need to know about what I'm feeling.
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You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
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Brother says he's telling about you playing Doctor with that girl.
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This was tough. The Kerry people were determined not to have a leak.
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What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical.
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We were just amazed we were putting out a record. We were, and are, still learning. But we've never cared much for professionalism as long as the energy was there. Like our live shows: We're out of tune and use a lot of feedback. That's not on purpose or because we don't care, we're just musically and rhythmically retarded and we play so hard that we can't tune our guitars fast enough.
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The three-thousand hitting thing was the first time I let individual pressure get to me. I was uptight about it. When I saw the hit going through, I had a sigh of relief more than anything.
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For me the songs on this album come from a really poetic and abstract vein. The record has a strong focus on the rhythmic and melodic parts, so in that moment I felt like the lyrics needed to be more like a poem, abstract images creating sensations beyond the “storytelling”.
