Taylor Jenkins Reid Quotes
Starting with 'Forever, Interrupted,' I somehow convinced myself that in order to create content, I had to consume content. What this means is that I have legitimized binge-watching television and told myself that I must do it for work.
Quotes to Explore
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I've been writing music since 4th grade, and I love putting words together and expressing things in a way that you can move your head to and you can really relate to, because I have a lot to say.
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It's interesting that one of the definitions of the word 'human' is 'sympathetic.' More and more people are beginning to show that they understand why that is important.
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Sometimes when I'm going to the supermarket to get the coffee and cat litter, I get freaked out and see all these people staring, and you turn around and there's, like, 40 people all looking at you... and when you go around the corner, they're all following you! You start freaking out like a trapped animal.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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Clinton has more important things to worry about. He not only risks being destroyed historically, like Afghanistan's Buddha statues; he also could end up going to jail.
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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To write a good mystery you have to know where it will end before you can decide where it will begin... and I've always known where it will end.
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It's just incredible how people come up to me and say, 'Gabby, you inspire me to do anything I can set my mind to.' It's truly an honor.
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I don't mean to offend anybody, but I think that we get a lot of scientists now who are bent into a system, and we lose some of their boldness by that. Obviously, you have to learn the ropes, but I think it's important to do that without hammering out the radicalness that makes innovation happen.
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With a project like 'The 5th Wave,' you do something you would never do in your normal life; I would never have had S.W.A.T. training or boot camp, and there's something really cool about learning stuff like that that's really fun about our job.
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Almost all the early Christian Fathers were opposed to the death penalty, even though it was of course standard practice across the ancient world.
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Look at how many North Carolina kids have played for me or tried out for me or coached with me. I've had Dennis Wuycik, Steve Previs, Billy Chamberlain, Donald Washington, Darrell Elston, Tommy LaGarde, Bobby Jones. You name it, I've had them. Whatever Coach has ever asked me to do, I've done. Because I love the school, and I worship him.
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It was all devastating. I'd never dealt with losing anyone close to me, and I didn't know where to put it in my life. I was very young then. Buddy taught me so much in such a short time.
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Two hundred years ago, our precursors in Haiti struck a blow for freedom, which was heard around the world, and across centuries.
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Everything with me is pretty close to the surface, but having kids has completely ruined my emotional equilibrium.
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In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.
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I studied chord theory and started playing the piano.
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For almost a century since 1918, the centralised nation-state has been the world's default political form. Its various experiments in industrialisation, urbanisation, mass literacy and consumerism have brought more people into public life.
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And some of what we're doing in Government even now, some of the welfare reform programs that are helping lone mothers come into work are based on things that were very new under the Labour Government in the eighties.
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I just consider myself slightly left-of-center. I'm not your average bear. I - what's the word? I'm not - normal.
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People say that the best part about doing animation is that you don't have to dress up to go to work, but I don't believe that. I dress up to go to work. I dress up for an airplane. I think it's just focusing your skillset, focusing on your voice and the comedy.
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I work out five days a week; I can't imagine not doing it.
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I think moving from Ireland to Australia, you couldn't get a more different accent on the palate. The Irish accent is very muscular and involves a lot of tongue and cheek-muscle work, whereas the Australian accent is really flat; the palate is quite broad. They're at almost opposite ends of the scale, so I feel it was good training.
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Starting with 'Forever, Interrupted,' I somehow convinced myself that in order to create content, I had to consume content. What this means is that I have legitimized binge-watching television and told myself that I must do it for work.
