Patrick Ness Quotes
Whereas the town knows all about you already and wants to know more and wants to beat you with what it knows till how can you have any of yourself left at all?
Quotes to Explore
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It is easy to get an interesting loop to happen, but it becomes a collage when the song and loop are constantly changing.
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It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
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When I was a kid and putting out my first records, there was a lot made out of the fact that the '50s/'60s generation was so dominant.
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We don't take anything when we pass away, and we need to do with the sense of responsibility.
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A lot of the music I write is about love. Sometimes I won't understand how I am feeling until I write a song about it.
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I don't care who is attacking my son. I still support him; I still love him.
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I would really like to play someone contemporary, as I've done lots of period pieces. I would love to play an American bimbo or a grimy Londoner. But I'm probably more suited in people's minds to playing a corseted victim.
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History is rich with adventurous men, long on charisma, with a highly developed instinct for their own interests, who have pursued personal power - bypassing parliaments and constitutions, distributing favours to their minions, and conflating their own desires with the interests of the community.
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If I hear a lie in my life with my children, with my wife, my work, my audiences, I want to annihilate myself, vaporize myself and wipe myself off the face of the earth.
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I could live on challah bread, the Jewish kosher bread, quite happily.
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You can't be like, 'Alright, I'm going to make this viral!' You just put stuff out there, and you hope that people engage and resonate with it.
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As a matter of fact, you have deficiencies in all religions, but you have truth in all religions.
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Sometimes you'll see people give performances in comedy with an ironic detachment where they'll sort of be remarking on the character from outside of it. They're sort of commenting as they're playing the character. I think it's hard not to do that. I've certainly done that.
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When I am writing a story it feels as real as the life I am experiencing off the page. It's an emotional illusion, I guess.
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Maybe I need to make a change, or maybe it's living here in New York or using social media or working in media and entertainment, but I feel like I'm constantly trying to maintain this sense of, 'Why do I do what I do?'
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I write songs about things that I'm simultaneously trying to not think about.
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Laws must be clear, precise, and uniform for all citizens.
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If you want a strong society, it has to be inclusive. If you have to push a boulder up a hill, do you want 10 people or 100? If you weed out colour or gender, you get 10.
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The victory of Mr. Kostunica will be a reality.
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I've very rarely worked with somebody that had such a clear idea of what Alejandro Amenábar wanted to do and what he wanted to achieve. The guy is incredibly prepared. He was clearly making a movie for himself and his own dream. I just tried to be a part of that dream. It's a rare opportunity.
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Recovering from failure is often easier than building from success.
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Whereas the town knows all about you already and wants to know more and wants to beat you with what it knows till how can you have any of yourself left at all?
