Barry Humphries Quotes
I think of myself as an actor. The duty of an actor is to be able to impersonate anything - a child, an old man, a tree, a chair, a woman.
Quotes to Explore
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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To me, a bag in a tree is like a flag of chaos, and when I remove it, I'm capturing the flag of the other side. In the end, it doesn't matter how ironic or serious or even effective on a larger scale bag snagging may be.
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I'm either enjoying myself or I'm not. And if I'm not enjoying myself, something's gone terribly wrong.
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I love talking about myself.
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I allow myself to fail. I allow myself to break. I'm not afraid of my flaws.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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Basically hated everything made in the '80s, music television - it was really about the '90s for me. 'Encino Man' was a big hit. 'Robin Hood: Men in Tights.'
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The sort of man you will make of yourself, how you will be regarded by the world, whether people will admire and respect or despise you, whether you win the approval or the condemnation of your Maker - all this is in your own hands.
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Every story I create, creates me. I write to create myself.
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Myself when young did eagerly frequent doctor and saint, and heard great argument about it and about: but evermore came out by the same door as in I went.
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After building most of Mint.com's prototype by myself, I talked to anyone and everyone I knew about Mint. It's counter-intuitive, because you might fear someone will steal your idea, but it's the only way to make connections, be sure you're on the right track, and provide a solution for an audience broader than yourself.
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Dontel Benjamin on 'Eastbound' is a loud-mouth, braggadocios, crazy man, while Roy on 'Rake' is a very deliberate, thoughtful man, and he doesn't scream a lot.
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To be a poor man is hard, but to be a poor race in a land of dollars is the very bottom of hardships.
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In 1994, after four years of talking about travel on my first show, I realized I knew so little about the world - I knew so little about myself. I decided to quit my job and pursue a postgraduate degree in New York.
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I don't really have an aversion to watching myself. I think I've been doing it for long enough that I have a system of separating it in my brain from my egotistical neuroses for the most part.
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We have peace with Israel. We're actually the last man standing. So there is going to be immense pressure and people asking, 'Why are we having this relationship when it's not benefiting anybody?' Obviously, my answer is you always benefit from peace.
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We're not trying to make you less of a man. We just want you to love us as deeply and as wholesomely and as fully as we love you.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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That cry of the soul to be lifted out of the bondage of the narrow circle of life, which carries up to God the protest and yearning of suffering man, never finds a more sublime expression than where humanity is oppressed and religion is corrupt.
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Our movements reveal a great deal about who we are. A record of our locations over time can reveal whether we go to tent revivals or radical political meetings, abortion clinics or AIDS doctors.
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I was obsessed with Hollywood from the time I was a kid. I always knew I wanted to live in Los Angeles.
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Every era needs a genre through which it understands itself.
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The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
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I think of myself as an actor. The duty of an actor is to be able to impersonate anything - a child, an old man, a tree, a chair, a woman.
