Pam Dawber Quotes
Quotes to Explore
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I grew up with injustice and could do nothing about it. But once in America, I had freedom of choice.
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Fashion is what you adopt when you don't know who you are.
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I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
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I'm trying hard to keep my Australian accent. My mom would disown me if I didn't.
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The tragedy of all of this is that it happened to me and it shouldn't have happened. It ruined my life and my career. That's the tragedy of this.
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You have to be ready for all the games and be at 100 per cent if you want to win in this League.
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I would love to have been around in the Keystone Studios days.
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There was always that kind of imagination in our house, which was always a little crazy.
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Every day in the year there comes some malice into the world, and where it comes from is no good place.
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It takes vision and courage to create - it takes faith and courage to prove.
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I want to reach young women and to get them involved in the mission of the YWCA, economic empowerment of women and girls, and ending racism.
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People are generally forced to change. We don't want to change, and then something absolutely forces us to realize that what we are doing isn't working or that our picture of the world is wrong. We fail. So we change.
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Practice puts brains in your muscles.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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I thought that communism, the tyranny of communism, was an abomination and I beseeched God to bring that terrible evil down and he did. It was a great triumph, it took awhile, but it happened.
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The first requisite for the happiness of the people is the abolition of religion.
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There is evidence that some of al Qaeda's nuclear efforts over the years met with swindles and false leads.
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If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
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The poet is the priest of the invisible.
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It always boils down to the same thing – not only receiving love, but desperately needing to give it.
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Because love was not the answer to every question. Because real love meant sacrifice. Sometimes love means letting go.
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I'd never hurt another person.
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We know only what we do, what we make, what we construct; and all that we make, all that we construct, are realities. I call them images, not in Plato's sense (namely that they are only reflections of reality), but I hold that these images are the reality itself and that there is no reality beyond this reality except when in our creative process we change the images: then we have created new realities.
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I love to sing more than anything - more than acting, even.