Napoleon Hill Quotes
Quotes to Explore
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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Nobody can be exactly like me. Even I have trouble doing it.
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I've never actually directed anything I haven't made up. I've never adapted anything.
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Some smashes have been timed at more than 250 mph, so you get less than a second to react. People who see a professional badminton match up close are always shocked at the speed.
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I was never offended that people underestimated me because of my appearance or that they thought I was pretty and discouraged me from fighting because they didn't want me to risk hurting my looks.
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As a young man you don't notice at all that you were, after all, badly affected. For years afterwards, at least ten years, I kept getting these dreams, in which I had to crawl through ruined houses, along passages I could hardly get through.
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My father was a sort of John Wayne Texan who'd worked as a cowboy when he was young. He'd participated in rattlesnake round-ups and swum with copperheads.
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A dark poem is meant to redeem the dark part.
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I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.
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Stopping to think is fine for characters, but not for their creators. They have to work.
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We have a renewed energy and vigor in our supporters and we are no longer so frightened about the future.
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I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence.
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In fitness, there are no short cuts. It involves immense discipline and hard work.
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Smell is a very animal thing, almost reptilian, where the more cerebral things like reading less so.
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If the United States is treating Afghanistan as a sovereign country it has to prove it.
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What led me to be an actor is that I have a strange something in me that can drastically change the way I appear to the world. Growing up, I couldn't understand why people would always have different ideas of me - but because of that I became aware of how you can manipulate your own ability to change. And then I learned to make a career of it.
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One thing the music industry has taught me is to manage my expectations.
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Except for a handful of banks that just keep a handful of their loans in portfolio, on their balance sheet, every other loan that's originated in the United States - whether from a bank, mortgage company, mortgage broker - is sold into the secondary market.
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My music and my fan base is really built off of my lifestyle.
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I think we're socialized out of being women, and then we have to find our way back to it. That's hard to do.
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I would love the opportunity to create my own program. I feel like a TV show with a format of monologue with lots of sketches thrown in could be really fun. But you know, that may never happen. Minimally, I just want to keep making stand-up.
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There are lots of reasons email persists, even as faster and simpler forms of communication proliferate and your personal communications likely have mostly migrated elsewhere. But one big one is that new types of media channels rarely totally kill off old ones, even though everyone predicts they will.
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If we are trying to account for mobilization, we have to ask, under what conditions do outraged forms of knowing lead to social mobilizations and movements? So awareness alone does not suffice, and neither does outrage.
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Behind every adversity - is an opportunity!
