Pat Conroy Quotes
Quotes to Explore
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If other people want to say that I'm the next person in boxing, then that's up to them. That's their opinion.
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I do a lot of speaking about energy and environment. But that's more a second job than a hobby. Hobby-wise, I love the outdoors - hiking, biking, kayaking, swimming, scuba diving. Because I spend almost all of my life in front of a screen, time in nature is especially important, I think.
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Human beings love stories because they safely show us beginnings, middles and ends.
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Unlike the Marxists, I have no mind block against the U.S.
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I was practically driven to Rome in order to obtain the opportunities for art culture and to find a social atmosphere where I was not constantly reminded of my color. The land of liberty had no room for a colored sculptor.
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I live in a landscape, which every single day of my life is enriching.
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Sometimes, it's best to let the kids take control - and it's never too early to instill positive eating habits or self-confidence in the kitchen.
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One thing about playing the real jazz is that you can't count it.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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Then you had people who wanted to get into comedy just to get a TV deal.
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I look around my house, and everything except the kids and dogs was made in China. And I'm not sure about the kids. They have brown eyes and small noses.
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I think personal beliefs of everybody shape everybody.
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I had to deal with being somewhat of an outcast because it's not socially acceptable to be a struggling musician. There have been times where I've felt sorry for the person I was dating. I felt she deserved better.
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As Mayor, I will use my experience to make San Francisco a place where small businesses can thrive.
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I hate to lose. It's a bad feeling, but, I mean, it kind of gets you resettled, gets you back right.
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I looked along the San Juan Islands and the coast of California, but I couldn't find the palette of green, granite, and dark blue that you can only find in Maine.
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I grew up in New York, and for the first ten years of my life, we lived across from the Metropolitan Museum. When I was an adult, I moved back to that neighborhood and lived there again.
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I got a part in a package of commercials for this big drugstore from the age of 6 to 10. For four years I shot those commercials, and old ladies would stop me on the street and grab my cheeks. That's how it started.
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Becoming a tutor was among the many attractive post-collegiate side careers I failed to pursue while devoting the bulk of my days to writing fiction.
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I love writing. I never feel really comfortable unless I am either actually writing or have a story going. I could not stop writing.
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I'm going to always rise above the doubt that may exist about me.
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I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed.
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Writing has never been that simple for me.
