Beck Quotes
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When I was a kid and putting out my first records, there was a lot made out of the fact that the '50s/'60s generation was so dominant.
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The repercussions of what you put out and what people gravitate to in your music never registered at all. I never had that thing that maybe other bands have - a specific idea of what they are and what their sound is.
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No one should drive a hard bargain with an artist.
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I think you have to keep a childlike quality to play music or make a record.
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I'm really fascinated by lingos and colloquialisms that are outmoded and have gone by the wayside. I love the way people spoke in the '30s, and the amazing slang of the mid-'60s and '70s.
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I did that Grammys thing - I did a little freeform poem.
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I never really had them. I always get the eccentric kids who dress funny and sit and write poetry for three months in their bedrooms......I was going to see tons of shows when I was a teenager, so if I was a girl, would that have made me a groupie? If I wanted to shake Thurston Moore's hand or something?
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I have a fear of heights, so falling off something very tall. But I've conquered a good amount of my fears. I guess most people would have the fear of getting up in front of a large audience of people and making a fool of themselves. I've gotten over that.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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I just go in the studio and write on the spot and see what comes out.
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There's more things that I'd like to do. You know, each song is a little bit of a puzzle. I see most of them as just failed attempts.
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Sea Change was so specific. From the beginning it was set what it was going to be. All the other ideas that I had at the time I had to put to the side.
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I had long hair when I was a teenager.
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Sometimes I'll have an idea for a story or have a subject, and that will inspire lyrics, but most of the time, hopefully, they already exist somewhere else.
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To me, 'rock star' conjures up something like a mystic: someone who sees himself as above other people, someone who has the key to the secret that people want to know.
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In the studio, I'm always throwing people on different instruments.
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It's really hard for me to commit, one way or the other. I was just always creating and seeing what came out.
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We play a hip-hop song and suddenly 25 people on the left jump up and put their hands in the air; then you play Lost Cause and they're like, I don't know about this one.
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When you work with somebody for a long period of time, you develop a shorthand with everything.
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In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool.
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There's some quality you get when you're not totally comfortable. When you're not doing what you're used to, you could completely fall on your face. You could completely blow it.
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I think my whole generation's mission is to kill the cliche.
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I'm a musician. I'm not, like, a personality. I've never really pretended to perform that kind of function.
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I wish I had more confidence. I think that's probably my Achilles' heel. If I had more, I probably would have felt emboldened to make more interesting music earlier on, or really go for it in an artistic or songwriting sense.