Albert Camus Quotes
In our wildest aberrations we dream of an equilibrium we have left behind and which we naively expect to find at the end of our errors. Childish presumption which justifies the fact that child-nations, inheriting our follies, are now directing our history.
Quotes to Explore
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We had something very special in the Faces. We were blessed to have the fun we had.
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With all the great products that are apparently out there that are undetectable, for me to take something like that... when people take things that now aren't even being tested for, does it make any sense?
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You can't take yourself too seriously; it's important to poke fun at yourself. Once in a while, it is great to show your inadequacies, too.
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I can never let the guy across from me be in better shape. I have to be the best-conditioned guy.
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I think that's the ultimate sign of a teammate and respect is that they compete against one another so hard at practice that here's a chance to share some knowledge inside. It takes some humility to do that.
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I think awards are good for the movie. They can bring a new audience to the movie. I've always claimed that things like that don't get you work. Work gets you work. That's my blue-collar, protestant work ethic.
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The story of Noah, like other stories in the first 11 chapters of Genesis, are archetypal. Noah's story tells us that human beings have an inherent tendency towards violence both towards their fellow human beings and towards the creation itself. The story tells us that this violence grieves God.
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Tony Blair is not a villain, but he's played the part very well.
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Washington, D.C., has a much greater risk than Manchester, N.H. They both need some level of funding, but they ought not to be done per capita. Congress is to blame for some of this.
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Memories have huge staying power, but like dreams, they thrive in the dark, surviving for decades in the deep waters of our minds like shipwrecks on the sea bed.
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With my voice and my band, I can do anything.
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Color television! Bah, I won't believe it until I see it in black and white.
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'Don't Look Now' is a masterpiece. I think it's the best-edited movie of all time. I adore it.
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And that's what art is, a form in which people can reflect on who we are as human beings and come to some understanding of this journey we are on.
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Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.
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I go to Japan every November on vacation, and the one thing I never return home without is yuba, which is the thin skin that forms atop boiling soy milk. You skim it off and either eat it fresh or dry it.
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With the first 'Hatchet,' I had an epic battle with the ratings board. They kept giving the movie an NC-17. There is absolutely no way that movie should have gotten an NC-17. All the gore in it is so ridiculous and over-the-top that you can't take it seriously.
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I don't think music affects what words I choose to type in what order, within what punctuation, at this point, because I'm rereading and editing each sentence, at this point, in my published books, probably 100-150 times each, on average, and listening to probably 20-60 different songs in that time.
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I grew up in a very urban, bohemian family where everyone was a hippie or a pacifist. It was artistically and intellectually stimulating, but they were definitely not into outdoor sports or activities.
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I read and enjoy just about anything I can get my hands on.
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I was just at the newly opened Creationist Museum in Kentucky.... And they have this exhibit of a giant dinosaur...with a saddle on its back. Because the world is only 5000 years old, so man and the dinosaurs had to coexist, and, of course, we rode them. A theory I thought laughable at the age of eight when I saw it on THE FLINTSTONES!
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I'm inspired by antiques. I look at things that have a wink to the past but are also reinterpreted in some way and made to feel modern... and maybe that's what I am.
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I would love to continue working behind the scenes in music - to produce and manage up-and-coming musical talent would be a dream!
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In our wildest aberrations we dream of an equilibrium we have left behind and which we naively expect to find at the end of our errors. Childish presumption which justifies the fact that child-nations, inheriting our follies, are now directing our history.
