Aldous Huxley Quotes
In the days before machinery men and women who wanted to amuse themselves were compelled, in their humble way, to be artists. Now they sit still and permit professionals to entertain them by the aid of machinery. It is difficult to believe that general artistic culture can flourish in this atmosphere of passivity.
Quotes to Explore
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I see my role as a scholar announcing that women's feelings of unworthiness and insecurity often may be traced to training in a male-oriented religion, and I'm trying to investigate a richer spiritual life for both sexes.
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I think you have to create your own stuff so I'm working on stuff for myself right now.
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I suffered from 'No one will ever fancy me!' syndrome, well into my teens. Even now I do not consider myself to be some kind of great, sexy beauty. Absolutely not.
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The World Bank can only survive if it's spending money.
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I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.
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I spent ten years riding motorcycles.
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If we cut up beasts simply because they cannot prevent us and because we are backing our own side in the struggle for existence, it is only logical to cut up imbeciles, criminals, enemies, or capitalists for the same reasons.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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I'm from Houston. I think I was thirty-seven before I ever set foot in Dallas, and that was just in the airport. So I've never really been there. Dad grew up in Port Arthur, Texas and all I can ever get out of him is, 'I wanted my first son to be named Dallas.'
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I just don't think men fancy me.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
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Fantasy was something I'd read as a child. And, in fact, my teachers despaired a little bit because I refused to give up Enid Blyton. Then I walked through the wardrobe with C. S. Lewis, and I don't think I actually have returned fully from the wardrobe. So, fantasy was something that was in my life from quite young.
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In 2003, as a 21-year-old convert to Islam, I moved from Colorado to Cairo to see what life was like in a Muslim country.
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I love the crowds at festivals because they're so chilled out.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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The problem of distinguishing prime numbers from composite numbers and of resolving the latter into their prime factors is known to be one of the most important and useful in arithmetic.
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Beware of monotony; it's the mother of all the deadly sins.
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There's no family in America that can celebrate a victory better than the Harbaughs. You'll never hear more laughter, more storytelling, or more embellishment.
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I don't trust the people when they say, 'There's pressure when you're top.' I prefer the pressure of being top of the table.
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Failure or success seems to have been allotted to men by their stars. But they retain the power of wriggling, of fighting with their star or against it, and in the whole universe the only really interesting movement is the wriggle.
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The romance of English football is fantastic, but it has lost its identity under the influence of other cultures.
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Nulli est homini perpetuum bonum.
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In the days before machinery men and women who wanted to amuse themselves were compelled, in their humble way, to be artists. Now they sit still and permit professionals to entertain them by the aid of machinery. It is difficult to believe that general artistic culture can flourish in this atmosphere of passivity.
