Aristotle Quotes
All who have meditated on the art of governing mankind have been convinced that the fate of empires depends on the education of youth.
Quotes to Explore
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Education is the cheap defense of nations.
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But I like going to church. If you've been brought up in the Church of England, it feels like visiting an elderly relative. And I think it's important that part of the kids' education is knowing about the Bible.
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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Besides black art, there is only automation and mechanization.
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That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
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Art is always an exaggeration in some sense; in color, in form, even in theme, etc... but it has always been this way. It is the same with the nature of some works by Giotto or Massacio, or the color of life as expressed by Van Gogh.
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My family always encouraged my drawing ability. Kids in school who teased me about my reading would get out of their seats and stand behind my desk as I worked and go, 'Wow, you can really draw.' Later, I earned a degree in Fine Art and got a Ph.D. in Art History.
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Art never harms itself by keeping aloof from the social problems of the day: rather, by so doing, it more completely realises for us that which we desire.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
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I was always trying - I never wanted to let my fans down; I always wanted them to see me in my art form.
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A performance art piece is unprecedented. It is difficult to censor since it has a good possibility of never being done before.
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To me, it was a sad fate to have been born into a period and a world where everything was in tip-top order, and the only real excitement was to be found in history books and occasionally also in the paper.
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There are infinite modes of expression in the world of art, and to insist that only by one road can the artist attain his ends is to limit him.
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I want to do just, like, regular art. Whatever is made today on canvas goes up against all of art history. It's the most radical thing.
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An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
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Every good painter paints what he is.
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The concept of commercialism in the fashion and art world is looked down upon. You know, just to think, 'What amount of creativity does it take to make something that masses of people like?' And, 'How does creativity apply across the board?'
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I'm forming a charitable institution for education.
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Despite a certain amount of rhetoric, such as 'the second American Revolution,' there is a fair consensus about which events in the affairs of a people can rightly be called revolutions. It is also clear that such revolutions are proper objects of study for the historian.
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I have strengths, and I have weaknesses. I don't pretend to be able to write a great thesis or doctorate - I have no pretensions in that direction.
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If you live in a democracy, it's very tiring to be always surrounded by great and high abstract generalisations which are, in fact, the most banal and naive cliches dug out of second-rate movements of the late 19th century.
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All who have meditated on the art of governing mankind have been convinced that the fate of empires depends on the education of youth.
