Arnold Schwarzenegger Quotes
Quotes to Explore
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I remember the first time my mind was blown by an actor was Tim Curry, because I loved 'Clue' when I was a kid, and then I was watching the movie 'Legend,' and the Devil suddenly smiles, and I was like, 'It's the same guy!' It was a total Keyser Soeze moment.
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Teenage girls these days are more and more getting lured into thinking they should dumb themselves down, and that's going to attract the wrong kind of guy, and it's serious. It's serious business.
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My dad was a football player - a soccer player - for Manchester United, and I loved playing football, but I also happened to be the guy in class who was pretty good at sight reading. My teacher gave me scripts, and I was very comfortable.
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I've always been interested in violence, even as a teenager. I loved 'Helter Skelter' and books like that.
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The climate at country radio is very, 'Let's keep it up-tempo,' probably best if you're a guy.
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I'm never going to apologize for having a lot of guy friends, and I always have. That happens, and I'm not going to live my life where I'm not going to go out and have a coffee or lunch with my guy friends.
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As delicate as 'Guy and Madeline' was, it was important that 'Whiplash' come off as more of a fever dream.
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We try to make the name longer and longer every year. First, it was 'Larry the Cable Guy's Christmas Spectacular.' Then it was 'It's a Very Larry Christmas.' Now it's 'Larry the Cable Guy's Hula-palooza Christmas Luau.' I'll tell you what it is: It's funny. That's what it is. Who cares what the name of it is? It is a funny special.
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The biggest misconception people have about me is that when they see how young I am, they think, 'Oh, this guy must have always wanted to be in politics; his parents must have been politically connected.' I'm a finance major and always intended to go into business.
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I want to be the number one songwriter-producer guy of all time.
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Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
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I never considered myself a fall guy. I know what I did. I know why I did it. I'm not ashamed of it.
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Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.
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Communication isn't just directing a guy on what to do: it's passing the information along to the guy that's next to you, and that's where we make the calls come to life.
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Look at guys like Larry Bird and George Brett and John McEnroe; that's what they did in their careers. They all wanted to be the guy under the microscope late in the game or late in the match. So you just take on that know-how that that's part of your responsibility, and you learn that's what makes it exciting. That's what makes it fun!
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I like to get physical on defense. I like to get up on a guy as much as possible. I actually need to calm down, though.
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Having a guy on a microphone yelling lines at you is counter to a lot of acting techniques.
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One of the things that I like about 'Narcos' is that not only Pablo but with all the characters - this is not a black and white show. This is not a regular American cop show where two cool cops go to save a country from a bad guy. All the characters are very complex.
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I don't back down. Like, I don't know how to flop. That's never been a part of my game. For me to know if a guy likes to turn left shoulder or right shoulder in the post, I have an advantage. Or if he likes to go left all the time, I have an advantage. Or if he can't make open jump shots, I have an advantage.
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Keep your face always toward the sunshine - and shadows will fall behind you.
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We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squalling, with the knowledge that for all the points of the compass, there's only one direction. And time is its only measure.
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The key to any good sports story is identifying the defining moment. In football games or a boxing match, it's usually pretty obvious. But in golf, sometimes it happens on Thursday. Usually it's Sunday, but guys who don't know the game, they can miss it.
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In low comedy, a character gets hit in the head, and you don't really believe it. In farce, he's hit in the head, but he must be hit in the head. The character requires it.
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This guy is just fumbling around.
