Laurieann Gibson Quotes
Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job.
Quotes to Explore
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Apple's advantage is that it designs and builds software together, so if the software isn't excellent, it does the superlative hardware a disservice.
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We filmed one scene on the beach and there was definitely weird energy around, and we were followed around by a white owl to several different locations, and little things like that, or certain mishaps would happen and you'd have to wonder what that was about.
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It is part of my responsibility as a bridge builder to speak the truth about what's great about America, what we've done right, and what our less glorious moments. And many people feel that the Iraq adventure, for example, has been one of our less glorious moments.
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I think one of the great things about being a musician is that you never stop learning.
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Cable has come along; many all-news 24 hour cable outlets in the United States. They have cut deeply into the traditional networks' viewing audience.
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Nobody really believes in equality anyway.
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In the world of language, or in other words in the world of art and liberal education, religion necessarily appears as mythology or as Bible.
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There are 309 million people out there that are trying to improve their lot in life. And we've got a system that allows them to do it.
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The two most common elements in the universe are hydrogen and stupidity.
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In our gliding experiments we had had a number of experiences in which we had landed upon one wing, but the crushing of the wing had absorbed the shock, so that we were not uneasy about the motor in case of a landing of that kind.
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'Bruce Lee' didn't work, and there were apprehensions about what the fans might say. People might have commented that Charan could have waited for some time before selecting me again. But that's what makes it a real achievement to me. People want to work with me because of the comfort level; nobody would work with you again otherwise.
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I'd like to work with Bjork if I could get in the studio with her. We could probably travel to a different planet, you know what I'm saying?
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I have never read 'To Kill A Mockingbird.'
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Well, the big products in electronics in the '50s were radio and television. The first big computers were just beginning to come in and represented the most logical market for us to work in.
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Everything I do now is a first.
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I just want to play for Hindus and Muslims that sit together. That's all I want to do.
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If I can save one kid's life, for me, it's absolutely worth it.
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I totally consider Fishbowl my full time job - I have to say I freaking love doing this blog. I just enjoy the medium so much; I love the fact that it requires me to read amazing stuff by hilarious and talented people and forces me to know what's going on in the world.
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In the first two projects I've worked on professionally, I've been doing ensemble work with other young women, which I think is pretty cool. And they both were directed by and written by women. It's been a wonderful experience of real ensemble support and women lifting each other up, and I feel really lucky for that.
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I understand the bad rap that 3-D is getting because the conversions are crappy and because the films aren't designed for 3-D. It's a completely different medium.
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Once you get on stage, everything is right. I feel the most beautiful, complete, fulfilled. I think that's why, in the case of noncompromising career women, parts of our personal lives don't work out. One person can't give you the feeling that thousands of people give you.
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Something I learned very early on in my career is that there are a lot of things that you do not have any power over.
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The zenith of elegance in any woman's wardrobe is the little black dress, the power of which suggests dash and refinement.
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Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job.
