Lee Hall Quotes
I come from a tradition where the writer writes a play for the actors, rather than for himself, and the dialogue is made to work onstage, so it needs actors to help shape it. So you never get a play right straightaway.
Quotes to Explore
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From a motivation perspective, helping others enriches the meaning and purpose of our own lives, showing us that our contributions matter and energizing us to work harder, longer, and smarter.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.
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In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.
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Hard work is not why I have been successful as a model.
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A lot of times, women complain about men around them. It's not always someone else's fault. If you're the common denominator in 57 different relationships that didn't work out, then maybe, just maybe... it's you!
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But all over Ohio - all over America - men and women are going back to work with the pride of building something stamped 'Made in America.'
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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In my work in Haiti, I've seen the hugely positive effects that happen when people come together to build something in the middle of the most desperate situations.
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Quality is everyone's responsibility.
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Out-innovating them is the way to beat China. And to do everything that we do in this country to support innovative policy, that drives innovation and new products and more jobs and creates jobs. You can't - you can't put a wall up around here. We tried that in the '30s. It didn't work.
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The debt we owe to the play of imagination is incalculable.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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Have I done more business-related things to help my career grow? Yeah. I took the business end more seriously, hooked up with a manager, got some help, because at a certain point, you get frustrated when you go do auditions, and people say you did a great job, and then you don't get he part.
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You walk into the class in second grade. You can't read. What are you going to do if you're going to make it? You identify the smart kid. You make friends with him. You sit next to him. You grow a team around you. You delegate your work to others. You learn how to talk your way out of a tight spot.
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I'd been kind of a hiccup in my parents' lives. They lost track of me and I didn't know what I was going to do with myself. And then fate reached in and took me in its hands. I was discovered right out of high school and started getting work.
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I am lucky because I get to work with the smartest, most creative, and most devoted group of students and postdoctoral fellows imaginable.
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You should not pay too much attention to what anyone tells you, including me. It's very, very important to follow your own map.
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I chose as the campaign logo a blue rose, which means 'make possible the impossible.' I think the British with Brexit, then the Americans with the election of Donald Trump, did that: They made possible the impossible.
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I'm a part of your life. You might not know it, but I am.
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We writers of series fiction tend to idealize ourselves in our characters, giving them attributes we wish we possessed and ever more interesting lives.
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I come from a tradition where the writer writes a play for the actors, rather than for himself, and the dialogue is made to work onstage, so it needs actors to help shape it. So you never get a play right straightaway.
