Katharine Hepburn Quotes
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Music was a way of rebelling against the whole rah-rah high school thing.
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When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.
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Before I left Russia in 1999, I was living in a very poor factory town with my family and friends, and nothing was ever going to change.
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I knew I wanted to pursue a career in the theater the minute I graduated from college having not pursued it! So I went back to school and got a degree in music and began working in musical theater.
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I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I'm always about, 'What is the most productive version of what I'm putting into the world?' Something that can be engaged by all folks. I don't have to change everyone.
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Music history has flowed under the bridges for many years.
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I actually spend very little time listening to any new music.
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Young kids should be doing music that has shock value. They'll grow out of it.
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But anyone who knows anything about the music industry knows it's not only about the music.
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At least international media can see how I am trying to change the typical orthodox mindset of people who don't want to come out of their shells of false beliefs and old practices.
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I always say that people should not rush to change religions. There is real value in finding the spiritual resources you need in your home religion.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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All music is rehash. There are only a few notes. Just variations on a theme. Try to tell the kids in the Seventies who were screaming to the Bee Gees that their music was just The Beatles redone. There is nothing wrong with the Bee Gees.
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We waited until we perfected the dog food, and then we worked on the cat food. Even though it's not going through the roof the way the dog food is, I think it will catch on eventually.
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I think art doesn't have to be created in a period of misery, but it certainly helps.
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When students leave college, they are like children who know nothing about the problems of life, and don't have a political stance.
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'Evil Dead' was such a big movie in my life. It's one of the few that I really remember when I watched it for the first time. I mean, I don't remember when I first saw 'The Empire Strikes Back,' and it's one of my favourite movies.
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You can’t change the music of your soul.
