Katharine Hepburn Quotes
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Music was a way of rebelling against the whole rah-rah high school thing.
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When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.
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Before I left Russia in 1999, I was living in a very poor factory town with my family and friends, and nothing was ever going to change.
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I knew I wanted to pursue a career in the theater the minute I graduated from college having not pursued it! So I went back to school and got a degree in music and began working in musical theater.
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I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I'm always about, 'What is the most productive version of what I'm putting into the world?' Something that can be engaged by all folks. I don't have to change everyone.
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Music history has flowed under the bridges for many years.
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I actually spend very little time listening to any new music.
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Young kids should be doing music that has shock value. They'll grow out of it.
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But anyone who knows anything about the music industry knows it's not only about the music.
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At least international media can see how I am trying to change the typical orthodox mindset of people who don't want to come out of their shells of false beliefs and old practices.
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I always say that people should not rush to change religions. There is real value in finding the spiritual resources you need in your home religion.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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I think listening to real classic soul material made me learn how to feel music that's sung.
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It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
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In dire economic times, movies are relatively inexpensive entertainment for the whole family.
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'Baywatch' sucks so bad. I didn't watch it the first time around; I'm sure not going to buy a DVD. But really, you just kind of find out the categories of what's most foolish about these people. With Hasselhoff, it's obviously the huge man-tits with chest hair, probably a lot about his crappy acting, obviously the hamburger video - that's huge.
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People were always pointing the finger at the fast food industry. And I was a big fan of personal responsibility - you know, no one is forcing you to eat. We're not geese being stuffed with corn.
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You can’t change the music of your soul.
