Keanu Reeves Quotes
I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.
Quotes to Explore
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By adopting a wonderful mutt, you'll save a life and help reduce animal homelessness while also boosting your chances of a more robust new furry friend, as mixed-breed dogs have demonstrated better health and longer life spans than their purebred cousins.
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I think downloading is both saving and killing the music industry at the same time.
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I feel that there has been progress made since I was a boy on matters of race, but we have a long way to go.
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You've just got to sing, do some kind of singing every day. Early mornings and cold weather can mess with that. I drink special teas with cayenne pepper, but I think you're psyching yourself out, really.
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I'm a Ninja. I'm not scared of death.
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After six years without seeing one, I love just seeing a smile - every smile I see gives me hope.
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When I was sixteen years old, I was sentenced to two years in prison; the Swedish government changed it, so I could go to a boarding school as part of a social programme. I was in this boarding school with some of the richest kids in Sweden.
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I remember I was a little girl when Elizabeth Taylor stole Eddie Fisher from America's Sweetheart, Debbie Reynolds, and the reaction back then was enormous! And Angelina Jolie was in trouble, too, for taking a husband away from another America's Sweetheart. Don't take husbands from America's Sweethearts.
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I always drive like a madman.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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One thing I detest most about the financial press is the lack of accountability. All sorts of nonsense is said without penalty.
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I don't think I could ever give up music. It's what makes me tick. If there was no music, there would be no writing.
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I'd say Juventus has a story as legendary as the Yankees.
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After so many years of rejection, I felt acting would have to become a hobby rather than a full-time profession.
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We want to be two-way players; that's the best thing.
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Sometimes I talk to religious people about my column or what I do, and I ask them to, you know, read 20 or 30 of them and then come tell me that the message at the heart of every column isn't, 'Do unto others as you would have them do unto you.' In every possible sense.
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If I had a spreadsheet on my computer, it looked like I was busy.
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I don't have cable. I just never watched a lot of TV.
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Winning our fans' approval will come from all of us doing the right things for the right reasons, me included.
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Yes, I will bring the understanding of a woman to the Court, but I doubt that alone will affect my decisions.
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When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.
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The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.
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I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.
