Alberto Moravia Quotes
The ratio of literacy to illiteracy is constant, but nowadays the illiterates can read and write.
Quotes to Explore
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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When I write a movie, I write it for me.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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Every story I create, creates me. I write to create myself.
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I really don't have anything urgent to say, and I think you shouldn't write unless you have something urgent to say. Sometimes that troubles me, and sometimes I don't really care.
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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I think I would like to write screenplays, books, really anything.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I don't think of myself as Scottish or lesbian when I sit down and write. I am glad I have broken out of that limited audience.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I do, however, think it would be difficult to write books I don't like to read.
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If you want to get an email to Robert Redford, you send it to his assistant, and she prints it out. And then he will write you a letter, which is incredibly rare and incredibly classy. Unfortunately, I can't be that removed from technology.
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There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!
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The scarily brilliant Romantic poet and visionary William Blake dared to say what many of us have perhaps thought but kept to ourselves: “A good local pub has much in common with a church, except that a pub is warmer, and there’s more conversation.
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I have never said that there is no need for a guru. All depends on what you call guru. He need not be in a human form.
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The ratio of literacy to illiteracy is constant, but nowadays the illiterates can read and write.
