Alden Ehrenreich Quotes
I've been in movies where so much of the conversation was about, 'Well, after this movie, you're gonna be the biggest movie star.' I sort of have learned that you never really can predict any of that.
Quotes to Explore
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Remain calm, serene, always in command of yourself. You will then find out how easy it is to get along.
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Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.
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I like that in 'Caprica' the virtual world is a new thing. The parents didn't have that growing up. And it's the same thing about the Internet and all the current technology. It didn't exist like it does now for our parents' generation. Kids aren't relating to their parents anymore, and I just find that so honest.
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For me, family has always come first.
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On the other hand, all kinds of adventurous schemes to add security checkpoints to subway and bus systems have been circulating since the London attacks. This is nonsense. No one can guaranty 100 percent security.
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There had always been black people in and out of our house, and from the outset I had been taught that for them life was defined by struggle and filled with injustice.
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I have been fortunate to experience a wide range of characters. What more can an actor ask for?
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Life is so fast these days, and we're exposed to so much information. Television makes us a witness to such misery.
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If England became a world power, it was because of the industrial revolution.
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All of these mechanisms we have for celebrating are so double-edged. So much sorrow comes out of joy.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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When in Rome, do as you done in Milledgeville.
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It's nice to have my mother as someone I can talk to about acting. My dad's a director, so when he comes to watch me on set, he think it's his set. He's always telling a production assistant, 'Can you get me five donuts?'
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My mother, as a girl, had remembered this woman from Maine, someone who was part of the extended family somehow, and I recall her talking about this great, risk-taking woman. There are the most amazing, heroic stories in everybody's lives.
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The first play I wrote was called 'Twenty-five.' It was played by our company in Dublin and London, and was adapted and translated into Irish and played in America.
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When I throw a ground ball, I expect it to be an out, maybe two.
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Back in May of 2008, the Kindle was still quite new, and we focused on that.
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If I get incensed about some injustice, you can't make me – I will not just going to sit at my desk, at my computer all the time. I – I might want to march out on that.
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Engvall and his buddy get off a boat with a big string of bass.
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I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
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I watch a film and the most important thing to me is what I think of the movie.
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Every novelist knows – perhaps everyone knows who has written even a letter, or a page of a diary – that the process of composition involves two separate sensibilities.
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I've been in movies where so much of the conversation was about, 'Well, after this movie, you're gonna be the biggest movie star.' I sort of have learned that you never really can predict any of that.
