Leos Carax Quotes
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
Quotes to Explore
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I like talking one-on-one to everyone. I find it really sort of cathartic and interesting to hear people's opinions.
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Money isn't the most important thing in life, but it's reasonably close to oxygen on the 'gotta have it' scale.
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If you get labeled a winner, people come along for the ride. Might as well enjoy it and they should too.
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These trees and these old people have one thing in common, they're both going in the ground soon!
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I am the way I am. If you like me because I'm glamorous, so be it. If you like me, because I speak well or I have a brain and opinion, so be it.
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When most people think of Woodrow Wilson, they see a dour minister's son who never cracked a smile, where in fact he was a man of genuine joy and great sadness.
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People are predominant in my paintings. Although they are not obvious, you can feel their presence.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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Administrator McCarthy and the EPA will soon find out that Washington bureaucrats are becoming far too aggressive in attacking our way of life. Administrator McCarthy should be apologizing to Missourians. EPA aggression has reached an all-time high, and now it must be stopped.
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I don't think the 9/11 attacks taught us anything we didn't already know about religion. It has long been obvious - even to the deeply religious - that religious fanaticism is an extremely dangerous deranger of otherwise sane and goodhearted people.
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I don't consider Los Angeles home anymore; ultimately, it was pretty negative, but I did spend my formative years in the Valley and all around L.A. proper. Through my teenage years and into my young adulthood, up until the age of 30, I spent a good amount of time there.
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I love people who dress how they feel and change it depending on the day.
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See, I believe that it is not true that different races and nations are alike. I'm profoundly convinced that that's a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.
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Government can wreck a business by confiscating its money by taxation.
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Personally, I believe in self-determination, but in the context of one South Africa - so that my self-determination is based in this region, and with my people.
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Hobbits are an unobtrusive but very ancient people, more numerous formerly than they are today; for they love peace and quiet and good tilled earth: a well-ordered and well-farmed countryside was their favourite haunt.
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Working with great people makes you great; you learn a lot and it also gives you the experience and confidence to move on with your own career.
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Some people are born strong or stretchy, or with a tungsten will.
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Indies are always an extra challenge. The time is shorter because you have less money to spend and fewer days to shoot.
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Andy Warhol's art wasn't that interesting to me. He was more interesting to me as a person. He was art himself. I don't even think he was really into art, per se. He may have liked to do it, but I think he was more into people being into him.
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It's just funny that Americans have to contend with 2000 channels, and 60 different specific news sources, and the confusion that it creates, and the junk that we get to see is hilarious.
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My pictures had and have secret lives, and so there were things I did not tell, a lot of stuff I did not say back then which I'm saying now... I intend to continue allowing forms of secret life to paintings I'm working on right now because it excites me to do that.
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The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly.
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When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
