Lesley Ann Warren Quotes
Quotes to Explore
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I don't have any problem with being the guy whose album people put on when they're feeling sad.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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I'm not going to lie; the most fun of writing these books is just saying, 'Where am I going to write about? Let me go there!'
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I had done another show called 'United States of Cars,' which was a pilot that didn't get picked up. And they said, 'You know, we're doing 'Top Gear,' and would you like to meet the guys?' It was the wild - most wild audition I ever had because I never went to a studio or a producer's office.
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Your mind is what makes everything else work.
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I am going to keep having fun every day I have left, because there is no other way of life. You just have to decide whether you are a Tigger or an Eeyore.
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I was never an assimilationist. I always thought gays had some special mission.
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Those who do not read criticism will rarely merit to be criticised.
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I don't wear plaid shirts.
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I'm fortunate to be famous for two rather imposing characters like Magneto and Gandalf.
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I know, to banish anger altogether from one's breast is a difficult task. It cannot be achieved through pure personal effort. It can be done only by God's grace.
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Beware how you take away hope from another human being.
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'Haraamkhor' is a low budget film. We are not worried about the box office because our film is already in profit. It's got a strong content that will reach people's heart.
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Write what you like; there is no other rule.
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I had written lyrics to a song called The Silent Extreme, which Alex later renamed Humans Being.
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Imagine a libertarian president ending impediments to free markets.
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Aside from 'Hatchet II' and 'Hatchet III,' I've never repeated myself. I try to keep doing things that are totally different.
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You have to be just as meticulous on television as on the stage.
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Dictators are allergic to reform, and they are cunning survivors. They will do whatever it takes to preserve their power and wealth, no matter how much blood ends up on their hands. They are master deceivers and talented manipulators who cannot be trusted to change.
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I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.
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In the years between 'Afterlight' and 'Legacy,' we see a Zu who has watched all of her older friends head out into the world to do meaningful work while she's made to wait and hang back because of her age. It reinforces a feeling in her that she's falling further and further behind and won't ever catch up to them.
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I love every aspect of show business and that includes both the show part of it and the business part of it.
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Good work is good work wherever it is.
