Lew Wasserman Quotes
I was through as a manager. I did become involved late in the 1968 campaign at the national scene at the last minute. But I was through as a manager, and I've stayed through, incidentally.
Quotes to Explore
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I went and worked at a TV station in Stillwater. I was actually account manager for commercial accounts, selling ad space and everything.
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I'm not into the whole showbiz scene.
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I would love to get back to the big leagues as a coach, possibly a manager. I would love that opportunity.
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My manager called me and said, 'Hey, there's a series at Neflix.' I'm like, 'Netflix? Oh, boy.' At that time, it was just a strange thing to hear. It's like going, 'There's a series at Blockbuster.'
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I never thought I was a very good manager.
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One thing I've learned is that I'm not the owner of my talent; I'm the manager of it.
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Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.
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Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. This was back in 2009.
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I'm not on a slander campaign to ruin Jon Jones publicly. That's not what I set out to do.
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I realise that in an electoral campaign, you don't want to antagonise large groups which are highly motivated.
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I got with PETA for a fur campaign, specifically for fur.
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I knew that Chelsea was a club that changed its manager reasonably often.
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Then I did one fight scene, and they said it looked good. Because I did it well enough, they've given me more.
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Tolkien is as good as Dickens at sketching a scene.
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No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
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Most of the time I'm thinking, I'm glad that scene was improvised.
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A manager uses a relief pitcher like a six shooter, he fires until it's empty then takes the gun and throws it at the villain.
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It starts with campaign finance reform.
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The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed...
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I want people to know we throw real parties. We don't need more boring libertarian or conservative conferences.
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The Irish seem to have more fire about them than the Scots.
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It's pleasanter to work in the country, where you can wander out among the trees. But I don't get as much work done. In the city you don't want to leave the room because there's all that chaos going on.
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I was through as a manager. I did become involved late in the 1968 campaign at the national scene at the last minute. But I was through as a manager, and I've stayed through, incidentally.
