Lew Wasserman Quotes
I was through as a manager. I did become involved late in the 1968 campaign at the national scene at the last minute. But I was through as a manager, and I've stayed through, incidentally.
Quotes to Explore
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I went and worked at a TV station in Stillwater. I was actually account manager for commercial accounts, selling ad space and everything.
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I'm not into the whole showbiz scene.
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I would love to get back to the big leagues as a coach, possibly a manager. I would love that opportunity.
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My manager called me and said, 'Hey, there's a series at Neflix.' I'm like, 'Netflix? Oh, boy.' At that time, it was just a strange thing to hear. It's like going, 'There's a series at Blockbuster.'
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I never thought I was a very good manager.
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One thing I've learned is that I'm not the owner of my talent; I'm the manager of it.
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Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.
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Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. This was back in 2009.
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I'm not on a slander campaign to ruin Jon Jones publicly. That's not what I set out to do.
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I realise that in an electoral campaign, you don't want to antagonise large groups which are highly motivated.
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I got with PETA for a fur campaign, specifically for fur.
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I knew that Chelsea was a club that changed its manager reasonably often.
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Then I did one fight scene, and they said it looked good. Because I did it well enough, they've given me more.
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Tolkien is as good as Dickens at sketching a scene.
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No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
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Most of the time I'm thinking, I'm glad that scene was improvised.
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A manager uses a relief pitcher like a six shooter, he fires until it's empty then takes the gun and throws it at the villain.
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It starts with campaign finance reform.
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Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
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Fear not, Cesario, take thy fortunes up. Be that thou know'st thou art and then thou art as great as that thou fear'st.
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When you're rehearsing, you get really inspired in the beginning, but then it becomes repetitious and you lose the magic. How do you get the magic again? The magic happens when you're not pushing it.
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I was through as a manager. I did become involved late in the 1968 campaign at the national scene at the last minute. But I was through as a manager, and I've stayed through, incidentally.
