A. S. Byatt Quotes
A beautiful woman, Simone Weil said, seeing herself in the mirror, knows "This is I." An ugly woman knows with equal certainty, "This is not I." Maud knew this neat division represented an over-simplification. The doll-mask she saw had nothing to do with her, nothing.
Quotes to Explore
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This is my favorite area in New York - the West Village is the heart of New York. I could never move somewhere else.
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Ever since I was a child, I would start crying seeing anyone in pain.
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Live TV has an amazing pace to it. You've got to be able to think quick, make changes last minute, and be funny and fast.
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If you stop being scared, that's when entropy sets in, and you may as well go home.
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I'm probably less volatile and tempestuous than a lot of Aries, but I think I'm probably quite loud and outgoing and passionate. Maybe a bit difficult or stubborn.
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I have to remind myself constantly that people actually want to hear the music I've made; that's hard for me to digest. I think a live audience is the only tangible evidence you can have that your work is making an impact. It's really humbling.
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I am surprised people took so long to pick up on the fact that my contract expires at the end of this year. Eddie has to decide who he wants to drive, so there is no secret anywhere. I am not concerned. It does not sit with my objectives to be competitive.
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I'm never doing anything by rote. I'm only on thin ice, and I think that that's a good place to be. I feel like when you push yourself like that, the rewards can be pretty great.
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If you're going to make a sequel to 'Sicario', you have to - you know, you've got to go beat a brand new path.
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Therefore, you are not training young people for the world of today and the world of tomorrow unless you are doing proven technology training. That is one of the reasons I'm so concerned.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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There are still traces of discrimination against race and gender, but it's a lot different than when I started out. It just comes quietly, slowly, sometimes so quietly that you don't realize it until you start looking back.
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I would probably do anything with David Mamet. He's so great. I just love his writing.
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I met Mos Def around that time but I didn't hook up with him until I was about 17 or 18.
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Before I got into grad school, I used to work as a deck hand on these ferry boats in San Francisco, and they did day tours. It wasn't a bad job. I made decent money. But you were sitting down all day, tying up the boat, wiping it down. For some guys, that's a dream job, but for me it was kind of torture.
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I like dark subject matter. I'm not sure what that means about me!
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Everybody has a story... and a scream.
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Different directors offer you different things, and it's not necessarily the most obvious things.
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I've got quite a few inspirations - the list is kind of endless!
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I am always interested in characters who are in these kinds of transitional moments in their lives, when it's not clear where they're going to end up. It's interesting territory for fiction.
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Not many child stars make it out of Hollywood alive or sane, and at any given time there are at least three former ones having very public breakdowns.
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I'm quite an odd little part of the Venn diagram. I'm not a movie star and beautiful in that way. I do an odd thing that's funny and sad, and my face and my old body can take that.
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All the things that I find beautiful have a darkness about them.
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A beautiful woman, Simone Weil said, seeing herself in the mirror, knows "This is I." An ugly woman knows with equal certainty, "This is not I." Maud knew this neat division represented an over-simplification. The doll-mask she saw had nothing to do with her, nothing.
