Hubert de Givenchy Quotes
The little black dress is the hardest thing to realize because you must keep it simple.
Quotes to Explore
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I'm kind of obsessed with cool girls.
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I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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Most of the media... is positioning the merger with Compaq and the recent actions by Walter Hewlett and David Packard as a fight between the past and the future.
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I think you could ask 10 English people the same question about class and get a very different answer.
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I made a lot of money. I earned a lot of money with CNN and satellite and cable television. And you can't really spend large sums of money, intelligently, on buying things. So I thought the best thing I could do was put some of that money back to work - making an investment in the future of humanity.
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I had several near death experiences or very, you know, close calls, if you may, in Iraq. You know, there was an incident where I was nearly kidnapped.
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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I'm under five feet; I'm very small, 4'11 1/2.
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I try to stay focused.
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I have made it a rule for a long time, not to part with the copyright of my drawings, for I have been so copied, my drawings reproduced and sold for advertisements and done in ways I hate.
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I'm a black Catholic raised in Decatur, Georgia, which was very gang-infested. Then, I went to an all-white private high school and excelled in sports and wrote poetry, then played football at the University of Georgia, minoring in drama.
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Woman begins by resisting a man's advances and ends by blocking his retreat.
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In the end, crime doesn't pay.
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I don't remember my first two marriages... the details are very sketchy.
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I have to be honest - I don't love guns.
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When you get to 15 and most of your teachers are priests, there's bound to be a conflict.
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That's my only active wish. I think if I sang like Don Henley, this would be a lot more agreeable business.
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One of my big fears is people saying my songs are all starting to sound the same.
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You cannot hide; your growth as an artist is not separate from your growth as a human being: it is all visible.
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What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.
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Even on tour, where I perform songs from 'City Of Black And White,' I still do songs from 'Nothing Left To Lose.' I never turned my back on that material. On some albums, you change - that's all. The trick is to follow your heart and do what feels right.
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We don't all have to take the same coordinates to get to the same destination. Being a young African American female artist, I want to open doors for young black girls.
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In 1990, when we started the Black Community Crusade for Children, we were always talking about all children, but we paid particular attention to children who were not white, who were poor, who were disabled, and who were the most vulnerable.Parents didn't think their children would live to adulthood, and the children didn't think they were going to live to adulthood. That's when we started our first gun-violence campaign. We've lost 17 times more young black people to gun violence since 1968 than we lost in all the lynching in slavery.
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The little black dress is the hardest thing to realize because you must keep it simple.
